A work in constant progress (and occasional regress).
Original Title:
But Wait, There's More!
Genres:
Comedy
Production Companies:
Oakwood Films
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 12
When a flea market salesman finds major success with his raunchy, pushy pitch style, what led him to fame leads him to a world of trouble.
Art Department Assistant:
Olivia Papetti
Assistant Editor:
Darcy Stoitchkova
BTS Videographer:
Zack Savage
Best Boy Electric:
Jon Callies
Boom Operator:
Isabel Cordero
Camera Operator:
Brandon Wickson
Carpenter:
Tony Kukolic
Casting Director:
Laila Vaga
Colorist:
Braden Wannamaker
Data Management Technician:
Owen Sparks
Director:
Emmy Pitschner
Director of Photography:
Nurdaulet Suleimenov
Driver:
Matt O'Brien
Editor:
Owen Sparks
First Assistant Camera:
Seng Yang (Alan) Haw
First Assistant Director:
Connor Evans
Gaffer:
Khairul Hafizh Said
Grip:
Matthew Donkers
Liam Gabert
Benjamin Liao
Dylan Merrick
Khai Prendergast
Key Grip:
Andrew Langford
Lighting Supervisor:
Souren Dermentjian
Location Manager:
Savannah Morrison
Location Production Assistant:
Isaac Stacey
Makeup & Hair:
Melina Williams
Music Score Producer:
Logan Lindo
Post Production Supervisor:
Andrew Langford
Producer:
Jack Kukolic
Production Assistant:
Alex Kollman
Production Design:
Taylor Mann
Production Sound Mixer:
Emma Wood
Property Master:
Valentine Escott
Script Supervisor:
Keaton Browning
Second Assistant Camera:
Penn Chen
Aidan Zloty
Second Assistant Director:
Kay Trevick
Set Dresser:
Elise Stroud
Set Production Assistant:
Aidan Wayne Johnston
Sound Editor:
Moustafa Khalil
Story Editor:
Taylor Mann
Supervising Sound Editor:
Laila Vaga
Third Assistant Director:
Nathalie Cocq
William Gauthier
Wardrobe Master:
James Squires
Web Designer:
Kaden Swallow
Writer:
Emmy Pitschner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.