A work in constant progress (and occasional regress).
Release Date:
December 20, 2009
Original Title:
Sniper: Inside the Crosshairs
Alternate Titles:
Sniper Inside The Crosshairs (2009)
Sniper Inside the Crosshairs
Sniper: Anatomy of a Kill
The History Channel - Sniper - Inside the Crosshairs (2009)
Genres:
Documentary
Production Companies:
A&E Home Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 94
The deadliest weapon on the battlefield is neither the bullet nor the gun-it's the lone sniper. Through the scopes of the world's most precise marksmen SNIPER: INSIDE THE CROSSHAIRS takes you on a journey to discover the science and psychology behind the most extreme shots in military history. Deconstruct well-known missions from Vietnam to Iraq to Afghanistan by hearing firsthand recollections from the soldiers who were there and whose fingers pulled the triggers. Finally meet Canadian sniper Rob Furlong who for the first time on American television tells the story of his history-making shot in Afghanistan-striking a Taliban fighter from 1.5 miles away. Ballistics tactics weaponry stalking--this feature-length special examines these critical components in vivid detail and uses compelling interviews cinematic reenactments CGI technology and modern-day shooting demonstrations to put you squarely inside the crosshairs.
Director:
Emre Şahin
Writer:
Kelly McPherson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.