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Soul Survivors (2001) [PG-13]

Release Date:
September 6, 2001

Original Title:
Soul Survivors

Alternate Titles:
Escapando de la oscuridad

Genres:
Horror | Mystery | Thriller

Production Companies:
Lost Soul Productions
Original Film

Production Countries:
United States of America

Ratings / Certifications:
DE: 18  GB: 12  IE: 15A  JP: R15+  US: PG-13 

Runtime: 84

The world of the dead and the world of the living... are about to collide

Overview from TheMovieDB

A college freshman involved in a fatal car crash discovers she may not have survived after all when she becomes caught between the worlds of the living and the dead.

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Additional information:

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Trailer

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Performers

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Production

ADR Editor:
Paul Curtis

ADR Mixer:
Matthew C. Beville

ADR Recordist:
Chad Blinman

Art Department Coordinator:
Benjamin Nowicki

Art Direction:
Keith P. Cunningham

Assistant Editor:
Anthony J. Camaioni

Assistant Location Manager:
Jennifer Baron

Assistant Makeup Artist:
Bradley Stenson

Assistant Production Coordinator:
Margaret J. Orlando

Assistant Property Master:
Tiffany Taylor

Assistant Set Decoration:
Amelia Hochberg

Best Boy Electric:
Sam Bertone

Best Boy Grip:
Fred Folmer

Boom Operator:
Jason Johnston

Cableman:
Alex Riordan

Camera Loader:
Colin Slaby

Camera Operator:
Jeffery J. Tufano

Casting:
Mary Vernieu
Anne McCarthy

Casting Assistant:
Janelle Snow

Chief Lighting Technician:
Anthony J. Lullo

Color Timer:
Mike Milliken

Construction Coordinator:
Michael P. Morris

Costume Assistant:
Gretchen Gain

Costume Design:
Denise Wingate

Costume Supervisor:
Gina Panno

Costumer:
Kaye Nottbusch

Dialogue Editor:
Paul Curtis
John C. Stuver

Director:
Stephen Carpenter

Director of Photography:
Fred Murphy

Dolby Consultant:
James Wright

Dolly Grip:
Jason Storandt

Editor:
Todd C. Ramsay
Janice Hampton

Electrician:
Chad Catuara
James Hayworth
Rory Herbster
Donna McLain
Park B. Taylor

Executive Producer:
Michele Weisler
Jonathan Shestack

Extras Casting:
Mark A. Ridge

First Assistant Camera:
Steven Hiller

First Assistant Director:
Sam Hill

First Assistant Editor:
Jimmy Hill
Aaron E. Stanford
Sean Thompson

Foley Artist:
Joan Rowe
Gregg Barbanell
Sean Rowe
Laura Macias
Michael J. Broomberg

Foley Editor:
Jason Lezama

Foley Mixer:
Shawn Kennelly

Greensman:
Jeff Dieter

Key Grip:
Kelly R. Borisy

Key Makeup Artist:
Linda Melazzo

Location Assistant:
Brian S. Kalata

Location Manager:
James R. McAllister

Music Editor:
Lise Richardson
Robert Garrett

Music Supervisor:
Jennifer Pyken
Madonna Wade-Reed

Original Music Composer:
Daniel Licht

Payroll Accountant:
Karen Scarborough

Post Production Accountant:
Michelle A. De Mayo

Post Production Supervisor:
Mark Eiges

Producer:
Neal H. Moritz
Stokely Chaffin

Production Accountant:
Kiley Fascia

Production Design:
Larry Fulton

Production Supervisor:
Kimberly Rach

Property Master:
David J. Chamerski

Rigging Gaffer:
John P. Friday

Rigging Grip:
Mark Castelaz
James Hartnett

Script Supervisor:
Heather Pollock

Second Assistant Camera:
Linda Gacsko

Second Assistant Director:
Don H. Julien

Second Second Assistant Director:
Jon Mallard

Second Unit Director of Photography:
Michael Kohnhorst

Set Decoration:
Douglas A. Mowat

Set Designer:
Pat Raney

Set Dresser:
Lawrence Hammer

Sound Effects Editor:
Jeffrey R. Whitcher
Michael Orlowski

Sound Mixer:
Ray Cymoszinski

Sound Re-Recording Mixer:
Chris David
Terry Rodman

Special Effects Coordinator:
John D. Milinac

Special Effects Makeup Artist:
Matthew W. Mungle

Standby Painter:
Robert Gau

Steadicam Operator:
Gerrit Dangremond

Still Photographer:
Charles S. Hodes

Storyboard Artist:
Reginald Hendrix

Stunt Coordinator:
Ron Stein

Stunts:
Donna Keegan
Henry Kingi
Ken Moreno
Linda Perlin
Dana Stein

Supervising Sound Editor:
Paul Curtis

Title Designer:
Mark Eiges

Transportation Captain:
Paul Cipich

Transportation Co-Captain:
Victor W. Chin

Transportation Coordinator:
John P. McAuliffe

Unit Production Manager:
Michele Weisler
Steph Benseman

Unit Publicist:
Ernie Malik

Writer:
Stephen Carpenter

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.