A work in constant progress (and occasional regress).
Release Date:
September 15, 1999
Original Title:
American Beauty
Alternate Titles:
Amerikan Gözəli
Amerikanski prelesti
Američka lepota
Beauté américaine
Belleza americana
Frumusete Americana
Krasa po-amerykansʹky
Postamerikanskiy ornament
amerikanikí omorfiá
아메리칸 뷰티
Genres:
Drama
Production Companies:
DreamWorks Pictures
Jinks/Cohen Company
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA15+ BR: 18|16 CH: 16 CZ: 12+ DE: 16 DK: 15 ES: 18 FR: TP GB: 18 GR: 16 HU: 18 IE: 18 IT: VM14 KR: 19 MX: C NL: 12 NO: 15 PL: 18 PT: M/16 RO: AP RU: 16+ SE: 15 US: R
Runtime: 122
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
24 Frame Playback:
Ralph Merzbach
3D Artist:
John Cassella
ADR & Dubbing:
Jackie Gonneau
ADR Mixer:
Dean Drabin
ADR Recordist:
Brian Basham
ADR Supervisor:
Trevor Jolly
Actor's Assistant:
Dana Brunetti
Kim Mozingo
Additional Camera:
Dana Kroeger
Art Department Coordinator:
Molly Click
Art Direction:
David Lazan
Assistant Accountant:
Victor A. Haddox
Assistant Art Director:
Cat Smith
Assistant Chief Lighting Technician:
John Carney
Assistant Costume Designer:
Marcy Grace Froehlich
Assistant Director:
Tony Adler
Rosemary C. Cremona
Assistant Editor:
Vince Filippone
Assistant Location Manager:
Yoshi Enoki Jr.
Assistant Makeup Artist:
Buffy Zerefski
Assistant Production Coordinator:
Shannon Speaker
Assistant Property Master:
Angela M. Whiting
Best Boy Grip:
Paul Farley
Boom Operator:
Carl Fischer
Camera Loader:
Michael Thomas
Camera Operator:
Geoffrey Haley
Aaron Pazanti
Casting:
Debra Zane
Casting Assistant:
Terri Taylor
Chief Lighting Technician:
James M. Cox
Choreographer:
Paula Abdul
Co-Producer:
Stan Wlodkowski
Alan Ball
Color Timer:
Phil Hetos
Compositing Artist:
Travis Baumann
Construction Coordinator:
Joe Ondrejko
Costume Design:
Julie Weiss
Costume Supervisor:
Hope Slepak
Craft Service:
Krissy Korn
Dialogue Editor:
Mark Gordon
Simon Coke
Digital Compositors:
Olivier Sarda
Director:
Sam Mendes
Director of Photography:
Conrad L. Hall
Dolly Grip:
Carlos M. Gallardo
Driver:
Jeff Couch
Editor:
Christopher Greenbury
Tariq Anwar
Editorial Production Assistant:
Jeffrey Skinner
Electrician:
Ross Dunkerley
Extras Casting:
Raquel Osborne
First Assistant Camera:
Clyde E. Bryan
First Assistant Editor:
Larry Madaras
Tracey Wadmore-Smith
First Assistant Sound Editor:
Thomas O'Neil Younkman
Foley:
Jeffrey Wilhoit
Foley Artist:
James Moriana
Foley Mixer:
Nerses Gezalyan
Foley Recordist:
Greg Zimmerman
Greensman:
Richard W. Jones
Hairstylist:
Cydney Cornell
Key Costumer:
Sanford Slepak
Key Grip:
Bill Young
Key Hair Stylist:
Carol A. O'Connell
Patricia DeHaney
Leadman:
Mike Higelmire
Michael Casey
Libra Head Technician:
Kelly Diehl
Location Assistant:
Chee Ho
Location Coordinator:
Jeff Lovely
Location Manager:
Christine Bonnem
Makeup Artist:
Julie Hewett
Tania McComas
Music Editor:
Bill Bernstein
Joanie Diener
Music Supervisor:
Chris Douridas
Orchestrator:
Thomas Pasatieri
Original Music Composer:
Thomas Newman
Painter:
Chris Samp
Payroll Accountant:
Debbie-Lynn Siegel
Pilot:
Robert 'Bobby Z' Zajonc
Post Production Accountant:
Maria DeVane
Post Production Assistant:
Kevin Du Toit
Post Production Coordinator:
Lisa Marie Serra
Post Production Supervisor:
Lisa Dennis
Producer:
Dan Jinks
Bruce Cohen
Production Accountant:
Janet Lonsdale
Production Assistant:
Steven Buhai
Production Controller:
Jim Turner
Production Coordinator:
Christa Vausbinder
Production Design:
Naomi Shohan
Production Executive:
Steven R. Molen
Production Secretary:
Matt Walker
Production Sound Mixer:
Richard Van Dyke
Projection:
René González
Property Master:
Lynda Reiss
Propmaker:
Rob Garlow
Researcher:
Deborah Ricketts
Rigging Gaffer:
Huston Beaumont
Rigging Grip:
Gerald A. King
Scoring Mixer:
Dennis S. Sands
Script Supervisor:
Ana Maria Quintana
Second Assistant Camera:
Mike Gentile
Second Assistant Director:
Peter E. Hirsch
Second Second Assistant Director:
Stephanie Kime
Second Unit Director of Photography:
Conrad W. Hall
David Golia
Second Unit First Assistant Director:
Chris Edmonds
Set Costumer:
Alix Hester
Kanani Wolf
Set Decorating Coordinator:
Lisa Penaranda
Set Decoration:
Jan K. Bergstrom
Set Designer:
Andrea Dopaso
Suzan Wexler
Set Dressing Artist:
Ian Kay
Set Production Assistant:
Mike Piccirillo
Sound Effects Editor:
Bryan Bowen
Alan Rankin
Sound Re-Recording Mixer:
Scott Millan
Bob Beemer
Special Effects Assistant:
Jason Hansen
Special Effects Coordinator:
John Hartigan
Special Effects Technician:
Jerry Miscevich
Stand In:
Holiday Freeman
Standby Painter:
Christian Zimmermann
Still Photographer:
Lorey Sebastian
Storyboard Artist:
Tony Chance
Robin Richesson
Studio Teachers:
Pia Mehr
Stunt Coordinator:
Ben Scott
Supervising Sound Editor:
Scott Martin Gershin
Swing:
Brook Bacon
Thanks:
Nicole Kidman
Pete Townshend
Transportation Captain:
Randy Lovelady
Transportation Coordinator:
A. Welch Lambeth
Unit Production Manager:
Cristen Carr Strubbe
Unit Publicist:
David Linck
Utility Stunts:
Phil Culotta
Visual Effects Compositor:
Matt Dessero
Visual Effects Coordinator:
Paula Bonhomme
Visual Effects Editor:
Matt Magnolia
Visual Effects Producer:
Jonathan F. Styrlund
Janet Yale
Visual Effects Supervisor:
Rob Hodgson
David Goldberg
Writer:
Alan Ball
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.