A work in constant progress (and occasional regress).
Release Date:
November 16, 2007
Original Title:
Margot at the Wedding
Alternate Titles:
Margot az esküvőn
Genres:
Comedy | Drama
Production Companies:
Paramount Vantage
Scott Rudin Productions
Production Countries:
United States of America
Ratings / Certifications:
BE: 18 BR: 14 GB: 15 IE: 16 JP: R18+ NL: 16 SE: 7 US: R
Runtime: 91
Margot Zeller is a short story writer with a sharp wit and an even sharper tongue. On the eve of her estranged sister Pauline's wedding to unemployed musician/artist/depressive Malcolm at the family seaside home, Margot shows up unexpectedly to rekindle the sisterly bond and offer her own brand of support. What ensues is a nakedly honest and subversively funny look at family dynamics.
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Art Direction:
Adam Stockhausen
Assistant Costume Designer:
Michelle Matland
Camera Operator:
Lukasz Jogalla
Casting:
Douglas Aibel
Casting Associate:
Stephanie Holbrook
Co-Producer:
M. Blair Breard
Costume Design:
Ann Roth
Costume Supervisor:
Donna Maloney
Dialogue Editor:
Jac Rubenstein
Director:
Noah Baumbach
Director of Photography:
Harris Savides
Editor:
Carol Littleton
First Assistant Editor:
Marty Levenstein
Hair Department Head:
Lori Guidroz
Hair Designer:
Kerry Warn
Hairstylist:
Wayne Herndon
Makeup Artist:
Angela Levin
Makeup Department Head:
Michal Bigger
Music Editor:
Nancy Allen
Music Supervisor:
George Drakoulias
Producer:
Scott Rudin
Production Design:
Anne Ross
Production Supervisor:
David Bausch
Property Master:
Martin Lasowitz
Screenplay:
Noah Baumbach
Script Supervisor:
Mary Bailey
Set Decoration:
Debra Schutt
Sound Effects Editor:
Wyatt Sprague
Sound Re-Recording Mixer:
Lee Dichter
Paul Urmson
Still Photographer:
Ken Regan
Stunt Coordinator:
Stephen A. Pope
Stunt Double:
Shawnna Thibodeau
Jodi Michelle Pynn
Thanks:
Barbara Turner
Unit Production Manager:
M. Blair Breard
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.