A work in constant progress (and occasional regress).
Release Date:
April 1, 1982
Original Title:
The Sword and the Sorcerer
Alternate Titles:
A Espada e o Feiticeiro
A Espada e os Bárbaros
Barbarlar
Cromwell, el rey de los bárbaros
De wraak der Barbaren
Det grymma svärdet
Julma miekka
L'épée sauvage
La espada y el hechicero
La spada a tre lame
Meč a čaroděj
Miecz i czarnoksieznik
Oi Varvaroi
Sværdet og troldmanden
Talen kardja - Harc a mágia ellen
Talon im Kampf gegen das Imperium
Οι Βάρβαροι
Меч і чаклун
Genres:
Action | Adventure | Fantasy | Horror
Production Companies:
Sorcerer Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 GB: 18 US: R
Runtime: 100
A mercenary with a three-bladed sword rediscovers his royal heritage when he is recruited to help a princess foil a brutal tyrant and a powerful sorcerer's plans to conquer the land.
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Additional Photography:
Gary Graver
Art Direction:
George Costello
Associate Producer:
Kenneth Yates
Gerald T. Olson
Michael Kelly
Casting:
Jerold Franks
Al Onorato
Co-Producer:
John V. Stuckmeyer
Tom Karnowski
Costume Designer:
Christine Boyar
Director:
Albert Pyun
Director of Photography:
Joseph Mangine
Editor:
Marshall Harvey
Executive Producer:
Robert S. Bremson
First Assistant Director:
John Ross Bush
Gaffer:
Kevin Brennan
Hair Designer:
Anthony Esposito
Hairstylist:
Ronald W. Smith
Location Manager:
Mark Tarnawsky
Makeup Department Head:
Ve Neill
Original Music Composer:
David Whitaker
Producer:
Marianne Chase
Brandon Chase
Mark L. Rosen
John V. Stuckmeyer
Production Coordinator:
Terri Martin
Production Manager:
Tom Karnowski
John V. Stuckmeyer
Production Sound Mixer:
Don Sanders
Rigging Gaffer:
Robert K. Feldmann
Screenplay:
John V. Stuckmeyer
Albert Pyun
Tom Karnowski
Script Supervisor:
Brenda Weisman
Second Assistant Director:
Brenda Haverstock
Second Unit Director:
Richard Washington
Marshall Harvey
Set Decoration:
Maria Caso
Sound Designer:
Sandy Berman
Sound Effects Editor:
Joseph Holsen
Sherri Bayer
Sound Re-Recording Mixer:
Michael Minkler
Bob Minkler
Sound Supervisor:
Graham Harris
Special Effects:
Terry Woolman
John Carter
Special Effects Makeup Artist:
Francisco X. Pérez
Allan A. Apone
Greg Cannom
Douglas J. White
Mark Shostrom
Special Effects Supervisor:
John Carter
Still Photographer:
Patrick Prince
Stunt Coordinator:
Richard Washington
Stunts:
Kenny Endoso
Simone Boisseree
Chris Howell
Steven Lambert
John Ashby
Diamond Farnsworth
Bob Harris
Fred Scheiwiller
Phil Chong
Harold Jones
Chuck Hicks
Eddie Smith
Bob Yerkes
Hank Calia
Michael Adams
Greg Wayne Elam
Tom Morga
Rock A. Walker
Regis Parton
Mike Tillman
David Cadiente
Melvin Jones
Ron Oliney
Norman Blankenship
Michael Cassidy
Vince Deadrick Jr.
Ted Grossman
Bill M. Ryusaki
Richard E. Butler
Christopher Doyle
George Robotham
Alex Brown
Bob Bralver
Bill McIntosh
Ernest Robinson
Rick Sawaya
Joe Stone
Jack Tyree
Denise Cheshire
Ralph Garrett
Dean Raphael Ferrandini
Fred Brookfield
Bob Minor
Bennie Moore
Larry Randall
Walter Robles
Clifford Strong
Jesse Wayne
Chuck Waters
Brandon Pender
Mike Johnson
David S. Cass Sr.
Bennie E. Dobbins
Kym Washington Longino
John Cade
Mario Roberts
George P. Wilbur
Bruce Paul Barbour
Ted Duncan
Greg Walker
Alex Sharp
Michael M. Vendrell
Marvin Walters
John Sherrod
Mark Yerkes
Eddie Hice
Peter Stader
Tony Epper
Henry Kingi
Andy Epper
Dick Geary
Gerald Okamura
Dick Durock
Mary Peters
Jeannie Epper
Paul Stader
Larry Holt
Fred Lerner
Julius LeFlore
Nick Dimitri
Buddy Van Horn
Loren Janes
Jophery C. Brown
Troy Melton
Bob Herron
Third Assistant Director:
Lisa C. Cook
Unit Production Manager:
Allen Alsobrook
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.