A work in constant progress (and occasional regress).
Release Date:
November 26, 2024
Original Title:
The Family Dreggs
Genres:
Comedy | Drama
Production Companies:
VCA School of Film and Television
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 11
After eight seasons of poor off-screen behaviour, sitcom character Martin Dreggs has been killed off. Will the actor who plays him get a second chance at fame when the show broadcasts live? Drawing from sitcom inspirations absorbed throughout an entire childhood, writer/director Samuel Bortolazzo stages a complex family dilemma within the vessel of a television sitcom.
Art Direction:
Izzy Charbonnier
BTS Videographer:
Angie Wong
Boom Operator:
Olivier Savrimoutou
Camera Operator:
Benjamin Wallace
Chaperone:
David Maxwell
Valeria Bonazzi
Colorist:
Tim Morton
Costume Designer:
Jonel Factor
Director:
Samuel Bortolazzo
Director of Photography:
Jonathan Haynes
Editor:
Samuel Bortolazzo
Editorial Consultant:
Cindy Clarkson
Cindy Clarkson
First Assistant Camera:
Tan Slayvèhn
Alia Ahmed
Benjamin Burr
First Assistant Director:
Thomas O'Brien
Gaffer:
Hannah Shippen
Alessia Chapman
Makeup & Hair:
Carla Tomaras
Musician:
Lachlan Rae
Jamie Holmes
Adam Rae
Original Music Composer:
Lachlan Rae
Post Production Assistant:
Madison Murphy
Post Production Coordinator:
Grayton Hevern
Producer:
Angus Webb Ware
Production Coordinator:
Katie Bradley
Production Designer:
Anabelle Devi Saraswati
Nicholas Fairlie
Production Runner:
Margot Lynn
Jeanie Kane
Script Consultant:
Luke Devenish
Script Supervisor:
Lucy Schacher
Sara Taylor
Second Assistant Director:
Frankie Côdd
Sound Mixer:
Dale Warren
Sound Recordist:
Bea Brozek
Chad Aizicowitz
Still Photographer:
Kristian Josevski
Supervising Producer:
Juliet Porter
Helen Gaynor
Writer:
Samuel Bortolazzo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.