A work in constant progress (and occasional regress).
Original Title:
Love Language
Genres:
Drama | Horror | Romance
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 14
Emi is a shy college freshman. While the pre-med track is difficult, she performs the best out of all of her classmates due to her unorthodox study habits. She consumes her study materials - literally. Walking back from class she bumps into Leo, another freshman studying film. The two hit it off and Leo gives Emi his number to call him after watching one of his favorite movies. Wanting to impress Leo, Emi consumes the DVD, imbuing her with knowledge of the craft of the movie. Their romance escalates along with Emi’s consumption but Emi wonders if Leo will accept her for who she really is?
Assistant Director:
Gavi Loewenstein
Cleo Garibay
Boom Operator:
Jennifer Guiffré
Gracelyn Beal
Camera Operator:
Muhil Vaseekaran
Colorist:
Betsy Schultz
Data Wrangler:
Pedro Rojas
Director:
Jayla Matthews
Director of Photography:
Betsy Schultz
Editor:
Jaymica Rapisura
First Assistant Camera:
Andrew Montano
Chris St. Lawrence
Renzo Esposito
Gaffer:
Jaymica Rapisura
Graphic Designer:
Jolene Chen
Grip:
Jack Whitehurst
Key Grip:
Ben Kadish
Joseph Hughes
Music:
Ravi Roshan
Arbind Kumar
Producer:
Maggie Soik
Colette Poncet
Production Assistant:
Sara Akins
Carolina Hoher
Michael Ramirez
Suzanne Fages
Amy Miller
Production Design:
Dasha Fogelson
Prop Designer:
Ken Castro
Property Master:
Netyali Ortega
Script Supervisor:
Chris Zazueta
Carlos Perez
Second Assistant Camera:
Sargam Krishna
Sound Designer:
Abigail Bloch
Sound Mixer:
Cooper Smith
Special Effects Makeup Artist:
Julia Ramos
Lee Vitali
Stunt Coordinator:
Justin Wang
VFX Artist:
Alex Diaz
Wardrobe Coordinator:
Charli Einhorn
Writer:
Jayla Matthews
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.