A work in constant progress (and occasional regress).
Featuring:
Valda Valkyrien, Harris Gordon, Inda Palmer
Written by:
Emmett Mixx
Directed by:
Eugene Moore
Release Date:
January 21, 1917
Original Title:
The Image Maker
Genres:
Drama
Production Companies:
Thanhouser Film Corporation
Production Countries:
United States of America
Ratings / Certifications:
N/A
In ancient Egypt the young Prince of Tsa, bored by endless feasts, yearned for adventures, and clothed in a Nile boatman's garb, started out. He meets and is captivated by the charms of Ashubetis, a beautiful image maker, but his father, Pharaoh, planning a royal marriage, is enraged and orders death for the maiden and imprisonment for his son. Braving parental wrath, the prince escapes, and tries to save his loved one. He fails and is taken home mortally wounded. Ashubetis succeeds in seeing the prince in his dying moments and swears eternal faithfulness. On leaving she is discovered and thrown to the crocodiles. In Florida of 1916 a young couple meet, love each other, and part. Light is thrown on their strange love when they find a book telling of the Royal Romance of Egypt, and they see in themselves the re-embodied spirits of the ancient pair. On the anniversary of the prince's death five thousand years before, the Florida couple meet again at the prince's tomb. The strange reunion was witnessed by a passing party of tourists, who, hearing the tale for the first time, ask their lecturer if the young couple are the reincarnated lovers, and he replied: "It might be, who knows? Love is deathless. To love all things are possible."
Camera Operator:
George Webber
Director:
Eugene Moore
Producer:
Edwin Thanhouser
Scenario Writer:
Emmett Mixx
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.