A work in constant progress (and occasional regress).
Release Date:
December 6, 2024
Original Title:
We All Go Up
Genres:
Science Fiction
Production Companies:
Hochschule Offenburg
Schwartz Mehl GbR
Production Countries:
France | Germany
Ratings / Certifications:
DE: 12
3D Animator:
Robin Roeske
Assistant Editor:
Janna Haecker
Roman Brauch
Assistant Production Design:
Bonina Lindlar
Assistant Set Decoration:
Maren Richter
Base Camp Operator:
André Pörner
Best Boy Electric:
Tobias Bosseck
Michael Schwab
Catering Head Chef:
Felix Szichta
Color Grading:
Darius Neef
Adrian Schwartz
Compositing Artist:
Rokas Wille
Compositing Supervisor:
David Erhardt
Continuity:
Anja Haas
Costume Design:
Ronja Rohrer
Director:
Adrian Schwartz
Director of Photography:
Darius Neef
Drone Operator:
Sebastian Lindlar
Deborah Bode
Editor:
Adrian Schwartz
First Assistant Camera:
Deborah Bode
Maximilian Förster
First Assistant Director:
Robin Trouillet
Gaffer:
Phillip Kozuch
Makeup & Hair:
Maren Rosenberger
Music Score Producer:
Jan Pattscheck
Jannik Jochim
Sebastian Lindlar
Producer:
Hannah Gantner
Lukas Mehl
Adrian Schwartz
Production Assistant:
André Pörner
Noah Lischka
Anja Haas
Production Design:
Felix Goral
Leonie Faller
Prop Designer:
Stefan Schmitt
Markus Trölsch
Props:
Selina Illing
Screenplay:
Adrian Schwartz
Zaid Ghasib
Second Assistant Camera:
David Erhardt
Noah Fierravanti
Set Runner:
Sara Erhardt
Vanessa Jörger
Set Supervisor:
Sascha Schmidt
Sound Designer:
Sebastian Lindlar
Jan Pattscheck
Sound Mixer:
Jan Pattscheck
Sebastian Lindlar
Sound Recordist:
Sebastian Lindlar
Anja Pachutzki
Jan Pattscheck
Translator:
Ambre Rafed
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.