A work in constant progress (and occasional regress).
Release Date:
October 29, 2024
Original Title:
Contact Hours
Genres:
Drama
Production Companies:
Blend Films
Headrush Films
Ratings / Certifications:
N/A
Runtime: 25
A university caretaker's routine is disturbed when he unlocks the door of a student's room who hasn't been seen for days. This tragedy prompts him to try and mend the ailing relationship with his son.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Accountant:
Samuel Ampah
Art Designer:
Alex Johnson
BTS Footage:
Summer Lytton Cobbold
BTS Photographer:
Connor Diffley
BTS Videographer:
Fergus Hughes
Casting Director:
Holly Rodman
Colorist:
Harry Shelton
Costume Designer:
Jennifer Perault
Director:
Harry Richards
Director of Photography:
Scarlett Gardner
Driver:
Johnny Reid
Editor:
Louis Holder
Electrician:
Casey Jo Grosso
Ian Blackburn
Reuben Gardner
Executive Producer:
Harry Richards
Rufus Love
First Assistant Director:
Claire Wolf
Focus Puller:
Joshua Baylis
Gaffer:
Hannah Grinham
Graphic Designer:
Florence Van Bergen
Christopher Thomas Allen
Grip:
Jordan Heath
Thomas Treveil
Legal Services:
Will Armitage
Makeup & Hair:
Alessia Nyah
Makeup & Hair Assistant:
Ella-Lula Baldwin
Music:
Sebb Masters
Music Supervisor:
Paddy Orr
Producer:
Liam Wallace-Cook
Harry Richards
Production Assistant:
Clemmie Pollard
Production Designer:
Greg Mclaren
Production Manager:
Lina Alvarez
Production Runner:
Curtlan Popo
Tom Rees
Script Supervisor:
Selina Welsh
Second Assistant Camera:
Max Bent-Marshall
Second Assistant Director:
Meg Amos
Set Designer:
Zoe Hall
Sound Designer:
Sean Simpson
Sound Recordist:
Sean Simpson
Steadicam Operator:
Marcus Albertson
Title Designer:
Hugo Morais
VFX Artist:
Michael Rowell
Nathan Rushby-Jones
Hugo Morais
Writer:
Rufus Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.