A work in constant progress (and occasional regress).
Original Title:
The Lot
Genres:
Horror
Production Companies:
Bad Idea
Production Countries:
United States of America
Ratings / Certifications:
N/A
Aviva Copeland has just landed the biggest job of her career, becoming one of the few Black women to run a Hollywood studio. But as she sets out to revitalize the aging studio, her plan to refurbish and reopen a shuttered soundstage uncovers a buried secret: a legendary filmmaker, obsessed with authenticity, hired actual cult members to perform a real-life occult ritual for his latest horror masterpiece. Now the executive must deal with a reawakened evil in the most vicious pit of vipers — a Hollywood studio lot.
Novel:
Marguerite Bennett
Producer:
Akela Cooper
Dinesh Shamdasani
Benjamin Simpson
Screenplay:
Akela Cooper
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.