Home

At Close Range (1986) [R]

Release Date:
April 18, 1986

Original Title:
At Close Range

Genres:
Crime | Drama | Thriller

Production Companies:
Cinema '85
Hemdale Film Corporation

Production Countries:
United States of America

Ratings / Certifications:
AU: R 18+  DE: 16  FR: 12  GB: 15  GR: 16  US: R 

Runtime: 111

Like father. Like son. Like hell.

Overview from TheMovieDB

Brad Whitewood Jr. lives in rural Pennsylvania and has few prospects. Against his mother's wishes, he seeks out his estranged father, the head of a gang of thieves in a nearby town. Though his new girlfriend supports his criminal ambitions, Brad Jr. soon learns that his father is a dangerous man. Inspired by the real events that led to the end of the Johnston Gang, who operated in the northeastern United States in the 1970s.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"B" Camera Operator:
Jeff Wolf

ADR Editor:
Gail Clark Burch

Assistant Art Director:
Chuck Roseberry

Assistant Editor:
Donn Aron

Assistant Electrician:
Clint Argo

Assistant Location Manager:
Lita Harvey

Assistant Makeup Artist:
Mary Beth Felts
Cheri Greenwood

Assistant Property Master:
Jem Cohen

Best Boy Electric:
Morris Flam

Best Boy Grip:
J. Edgar

Boom Operator:
Jack M. Nietzsche Jr.

Casting:
Billy Hopkins
Risa Bramon Garcia
Darilyn Stringer

Casting Assistant:
Danielle Eskinazi

Color Timer:
Bob Hagans

Costume Consultant:
Cynthia Turnbull

Costume Design:
Hilary Rosenfeld

Director:
James Foley

Director of Photography:
Juan Ruiz Anchía

Dolly Grip:
Steve Lubbe

Driver:
Fred Timmons
Chris Summerell
Chris Nielsen
Jack Hager
James Newell
Randall Quick
Jackie Newell
Anthony Werthan
Larry M. Jackson
Daniel Quick

Editor:
Howard E. Smith

Electrician:
Mark Emery Moore
Robert Bruce
Randy Whiteland
Michael Papadapolous

Executive Producer:
John Daly
Derek Gibson

First Assistant Camera:
Bernard Auroux

First Assistant Director:
Ric Kidney

Gaffer:
Stefan Czapsky

Grip:
Don Simandl
Jim Harrington
Steve Anderson
Jim Cody Harrington

Hairstylist:
Leslie Ann Anderson

Key Grip:
John R. Hernandez

Leadman:
Pebble Daniel

Location Manager:
Joan Neal

Location Scout:
Eddie Rehfeldt

Makeup Artist:
Richard Arrington

Music Editor:
Ken Johnson
Daniel J. Johnson

Music Supervisor:
Budd Carr

Negative Cutter:
Vivian Hengsteler

Original Music Composer:
Patrick Leonard

Other:
F. Scott Taylor
Steven Shainberg

Post Production Coordinator:
Jo Barnett

Producer:
Don Guest
Elliott Lewitt

Production Accountant:
Jo Barnett

Production Coordinator:
Katherine Haber

Production Design:
Peter Jamison

Production Executive:
Graham Henderson

Production Manager:
Paul McKenna

Production Sound Mixer:
Tom Ruff

Property Master:
Tommy Allen

Screenplay:
Nicholas Kazan

Script Supervisor:
Kerry Lyn McKissick

Second Assistant Camera:
Vance Piper

Second Assistant Director:
Frank Capra III

Second Second Assistant Director:
Margaret Krueger

Set Decoration:
R. Chris Westlund

Set Designer:
Mark Ragland

Sound Re-Recording Mixer:
David J. Hudson
Mel Metcalfe
Terry Porter

Sound Recordist:
David Brownlow

Special Effects:
Adams Calvert

Special Effects Assistant:
Mike Weesner

Special Effects Coordinator:
Burt Dalton

Still Photographer:
Joyce Rudolph

Story:
Elliott Lewitt
Nicholas Kazan

Stunt Coordinator:
Chuck Waters

Stunt Driver:
Chris Nielsen

Stunts:
Paul McKenna
Fred T. McLaughlin
Chuck Waters

Supervising Sound Editor:
Ron Clark

Swing:
Randy Bennett
Billy Jett

Transportation Captain:
Charles Renfroe

Transportation Co-Captain:
David Dodson

Transportation Coordinator:
Bill Myers

Unit Production Manager:
Don Guest

Wardrobe Assistant:
Gayle M. Kennedy

Wardrobe Supervisor:
Eileen Sieff Stroup

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.