A work in constant progress (and occasional regress).
Release Date:
October 18, 2024
Original Title:
Becoming Hitchcock: The Legacy of Blackmail
Genres:
Documentary
Production Companies:
Ciné+
Nedland Media
StudioCanal
Turner Classic Movies
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 72
Narrated by historian, critic and filmmaker Elvis Mitchell, Becoming Hitchcock reflects the development of the iconic filmmaker's signature style, through the making of one of his benchmark films, Blackmail (1929). The documentary highlights the birth of the "Hitchcock Touch" at a period when talking pictures first emerged and explores his trademark themes, like such as murder, suspense and cool blondes. While focusing on Blackmail, the documentary reveals how this film also foreshadows the director's later masterpieces, from Psycho to North by Northwest and from The Birds to Frenzy.
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Co-Producer:
Bruno Deloye
Director:
Laurent Bouzereau
Editor:
Margarida Cartaxo
Editorial Staff:
David Leishman
Music:
Blair Mowat
Post Producer:
Lesley Weir
Producer:
Laurent Bouzereau
Falko Jahn
Markus Keith
Candy Vincent-Smith
Writer:
Laurent Bouzereau
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.