A work in constant progress (and occasional regress).
Release Date:
March 14, 1986
Original Title:
Gung Ho
Alternate Titles:
Fábrica de Loucuras
Working Class Man
Genres:
Comedy | Drama
Production Companies:
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
DK: A JP: PG12 US: PG-13
Runtime: 111
When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
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Art Direction:
Jack G. Taylor Jr.
Associate Producer:
Lowell Ganz
Jan R. Lloyd
Babaloo Mandel
Casting:
Karen Rea
Casting Assistant:
Glenn F. Haines
Costume Design:
Betsy Cox
Director:
Ron Howard
Director of Photography:
Donald Peterman
Editor:
Daniel P. Hanley
Mike Hill
Executive Producer:
Ron Howard
Hairstylist:
Janis Clark
Location Manager:
Michael John Meehan
Makeup Artist:
Ric Sagliani
Janet Flora
Music Editor:
Kenneth Karman
Music Supervisor:
Peter Afterman
Original Music Composer:
Thomas Newman
Producer:
Deborah Blum
Tony Ganz
Production Design:
James L. Schoppe
Production Manager:
Neil Machlis
Carlos Olveira
Screenplay:
Lowell Ganz
Babaloo Mandel
Script Supervisor:
Carline Davis-Dyer
Lillian O. MacNeill
Set Decoration:
John H. Anderson
Special Effects:
Stan Parks
Story:
Edwin Blum
Lowell Ganz
Babaloo Mandel
Stunts:
Jeff Imada
Supervising Sound Editor:
Anthony J. Ciccolini III
Theme Song Performance:
Jimmy Barnes
Title Designer:
Gary Rocklen
Nina Saxon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.