A work in constant progress (and occasional regress).
Original Title:
Stillstand einer Welle
Alternate Titles:
A Wave Standing Still
Genres:
Comedy | Drama | Romance
Production Companies:
Filmakademie Wien
Production Countries:
Austria
Ratings / Certifications:
N/A
Runtime: 22
Lost in thought in the midsummer heat, Georg suddenly has only one goal. To make his huge, overgrown garden beautiful again at the weekend. But as he spends his days alone in the house he once shared with his ex-wife Sieglinde, who comes to visit at the end of the weekend, he has to deal not only with the garden, but also with absurd visits, memories, nosy neighbours and himself.
Assistant Camera:
Maximilian Lange
Christina Gaugg
Simon Mück
Matija Joksimovic
Moritz Loewy
Assistant Director:
Andreas Lobner
BTS Photographer:
Mohammad Reza Rasouli
Casting:
Magdalena Steiner
Catering:
Florian Knapitsch
Annika Rössler
Color Grading:
Jacob Jabornig
Continuity:
Sarah Kučera
Adam Baroud
Costume Design:
Sabine Ebner
Director:
Martin Weiss
Director of Photography:
Xavier Pawlowski
Editor:
Martin Weiss
Foley Artist:
Svea Malin Peters
Gaffer:
Laurent Rischette
Michael Bachinger
Mario Klaus
Lighting Camera:
Jakob Stainer
Conny Heiser
Daniele Scherer
Max Payer
Alexis Heidinger
Lydia Salner
Konstantin Johann
Zara Zankl
Makeup & Hair:
Sofía Ivanović
Producer:
Joseph Zedelmaier
Lidija-Rukiye Kumpas
Production Assistant:
Klara Kirchberger
Erik Brouwers
Isabella Pöschl
Maximilian Demets
Props:
Klara Kirchberger
Set Designer:
Noémi Borcsányi-Andits
Leonie Pichler
Sound:
Lena Zechner
Sound Designer:
Hannah Escobar
Carmen Dürholt
Sound Editor:
Niklas Esterbauer
Sound Mixer:
Nora Czamler
Stunt Driver:
Patrick Dreier
Title Designer:
Gabriel Hohenstein
VFX Artist:
Felix Pichler
Felix Schuch
Writer:
Martin Weiss
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.