A work in constant progress (and occasional regress).
Featuring:
Pedro De Leon, Teofilo Torres, René Monclova
Written by:
Edward Andres
Directed by:
Alejandro D. Orengo-Colon
Release Date:
October 18, 2024
Original Title:
Asterión: ó, (si te metes con el toro...)
Genres:
Drama
Production Companies:
Producciones Tabaquero
Production Countries:
Puerto Rico
Ratings / Certifications:
PR: PG-13
Runtime: 17
Ricky, a 30-year-old police officer, rents a hotel suite beyond his means because he is celebrating a role he will play in a big Hollywood movie. He decides to spend money on alcohol and food while spending the entire night recording Instagram Live videos for his "fans," showing them the room and talking about what he will be doing in the movie. The night slowly unravels as various people call him, some to congratulate him, others to reprimand him for his negligent behavior.
Ricky, a 30-year-old police officer, rents a hotel suite beyond his means because he is celebrating a role he will play in a big Hollywood movie. He decides to spend money on alcohol and food while spending the entire night record...
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Art Direction:
Ada Rodríguez Bermúdez
Assistant Camera:
Edward Andrés
Alondra Yarí Negrón Rivera
Assistant Director:
Cristian Carretero
BTS Photographer:
Sebastián Rivera Fuentes
Digital Imaging Technician:
Carlos Manuel Sánchez Díaz
Director:
Alejandro D. Orengo Colón
Director of Photography:
Fran Casillas
Editor:
Alejandro D. Orengo Colón
Focus Puller:
Jan Rolón
Lighting Technician:
Nelson Vega Oliveras
Makeup Artist:
Sandra Blanco
Music:
Camila María Bermúdez Ortiz
Producer:
Verónica Ortiz Calderón
Sound:
Freddie Alonso
Unit Production Manager:
Augusto Suárez Vincenty
VFX Artist:
Víctor Rivas
Writer:
Edward Andrés
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.