A work in constant progress (and occasional regress).
Release Date:
October 5, 2014
Original Title:
Clipper Gold
Genres:
Drama | Fantasy | Romance
Production Companies:
NIFCO
Ratings / Certifications:
N/A
Runtime: 14
It's a fine, frail line between fantasy and reality when the doleful, downtrodden state of a couple's relationship unfurls against the backdrop of a feed of moose sausages and tea. Sexual frustration, co-dependency, domestic despair and just a hint of missing male libido all play out within the crestfallen subtleties of opposing table manners and passive aggressive tea-brewing rituals.
Art Department Assistant:
Matthew Anthony
Tracy Holmes
Bruce Lane
Art Direction:
Kelly Bruton
Assistant Director:
Jenn Brown
Best Boy Electric:
Thomas Kelly
Best Boy Grip:
Arthur Haynes
Boom Operator:
Mark Neary
Catering:
Kathie Hicks
Cinematography:
Nigel Markham
Colorist:
Steve Cook
Craft Service:
Heather Short
Director:
Joel Thomas Hynes
Editor:
Chris Darlington
Executive Producer:
Paddy Daly
First Assistant Camera:
Mark O'Neill
First Assistant Director:
Shara Désirée King
Foley Artist:
Sam Hall
Foley Recordist:
Nick Jackson
Foley Supervisor:
Lori Clarke
Gaffer:
Andrew Best
Grip:
Mike Webber
Key Grip:
Jason Andrews
Makeup & Hair:
Daphne Stockley
Music:
Lori Clarke
Online Editor:
Linda Snelgrove
Painter:
Derek Holmes
Producer:
Krissy Holmes
Production Assistant:
Matthew Anthony
Production Design:
Kelly Bruton
Production Manager:
Brad Gover
Property Master:
Andy Pyne
Props:
Jenn Brown
Script Supervisor:
Patsi Chalmers
Second Assistant Camera:
Tommy Humphries
Set Decoration:
Glenn Barrett
Sound Editor:
Paul Steffler
Sound Mixer:
Paul Steffler
Sound Recordist:
Harvey Hyslop
Still Photographer:
Doug Allen
Third Assistant Director:
Jacqueline Hynes
Visual Effects:
Chris Darlington
Wardrobe Designer:
Charlotte Reid
Writer:
Joel Thomas Hynes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.