A work in constant progress (and occasional regress).
Release Date:
October 28, 2024
Original Title:
Ain't Nuff Time
Genres:
Drama
Production Companies:
Fast Cut Studio
Orillo Films
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 25
Ain’t Nuff Time is a digital performance for prisoners, showing the positive impact art can have on their lives pre and post-release. Ain’t Nuff Time will be shown to 7,000 prisoners across the UK in the following prisons: HMP Humber, Moorland, Wealstun, Berwyn, Erlestoke, Feltham B, Garth, Lindholme, Ranby, Stoke Heath, Swaleside, The Mount, The Studio, Wayland, New Hall, Styal, Cookham Wood, Feltham A, Werrington and Wetherby. As well as watching Ain’t Nuff Time, prisoners will also be able to respond creatively to the film through creative writing, poetry, rap, drawing, painting etc which fosters innovation, creativity and learning culture in a digital world. Selected prisoners responses will feature in a book circulated to prisons and the public, increasing prisoners’ agency and self-esteem as well as educating the public.
Animation:
Marietta Farfarova
Art Direction:
Eva Jean Wright
Assistant Director:
Emily Brown
Camera Operator:
Dominika Besinska
Richard O'Hare
Tom French
Alex Gunton
Cinematography:
Jordan Clarke
Director:
Andy Twyman
Editor:
Peter Schmid
Executive Producer:
Chesca Joy
Hairstylist:
Sophie White
Makeup Artist:
Sophie White
Producer:
Andy Twyman
Lucy Brown
Production Design:
Jay Roberts
Script:
Andy Twyman
Songs:
Jasmine Kennedie
Sound:
Drew Sewell
Tayne McIntosh-Barrett
Joseph Lawrenson
Jack Baxter
Writer:
Chesca Joy
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.