A work in constant progress (and occasional regress).
Release Date:
May 6, 1985
Original Title:
Esperando la carroza
Alternate Titles:
Czekajac na karawan
Várakozás a halottaskocsira
В ожидании перевозки
Genres:
Comedy
Production Companies:
Rosafrey SRL
Susy Suranyi y Asociados
Production Countries:
Argentina
Ratings / Certifications:
AR: 13
Runtime: 87
Mama Cora, who is almost eighty years old, has three sons and a daughter. She lives with one of them, who has serious financial problems. The family meets one day to celebrate an anniversary meal, and that is when the problem arises: which of them will take care of her?
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Administration:
Marta Ratti
Fernando Wajs
Assistant Camera:
Andrés Mazzon
Fabián Giacometti
Assistant Director:
Santiago Carlos Oves
Assistant Editor:
Jorge Firdman
Sergio Rosenfeldt
Irma Planas
Assistant Set Designer:
Horacio Pigozzi
Camera Operator:
Willi Behnisch
Carpenter:
Walter Basualdo
Compositor:
Feliciano Brunelli
Costumer:
Josefina De Robledo
Director:
Alejandro Doria
Director of Photography:
Juan Carlos Lenardi
Editor:
Silvia Ripoll
Executive Producer:
Diana Frey
Gaffer:
Adolfo Calo
Sergio Scalisi
Jose Di Dio
Hairstylist:
Angelica Teruzzi
Lighting Director:
Óscar Robledo
Makeup & Hair:
Selva Chomnalez
Makeup Artist:
Alex Mathews
Producer:
Alejandro Doria
Producer's Assistant:
Claudio Prestia
Oscar Draganczuk
Production Assistant:
Patricia Barbieri
Production Design:
Jorge Sarudiansky
Props:
Rodolfo Navarro
Screenplay:
Jacobo Langsner
Alejandro Doria
Second Assistant Director:
Viviana Guadarrama
Hugo Lescano
Tanya Barbieri
Sound:
José Luis Díaz
Sound Assistant:
Pedro Saborido
Perfecto de San José
Sound Re-Recording Mixer:
Javier Salinas
Still Photographer:
Graciela Portela
Theatre Play:
Jacobo Langsner
Title Designer:
Juan Carlos Villar
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.