A work in constant progress (and occasional regress).
Release Date:
October 10, 2024
Original Title:
Positive Transparencies
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 7
Inspired by Nan Goldin's 'Trees by the River, Munich' (1994), 'Positive Transparencies' comprises the tensions emerging from the destruction and reconstruction of 17 individual 35mm slides. This cinematic endeavor seeks to explore the methodologies employed in observing, scrutinizing, and transmuting the natural world through technological means. The pristine landscape of Hornby Island in British Columbia serves as the project's primary reference point, as it employs extensive analog deconstruction techniques to repurpose the island's scenic vistas. Live dye destructions captured on film are meticulously edited and layered to metamorphose into dynamic motion sequences and novel color palettes, thereby emulating a process of artistic disintegration.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.