A work in constant progress (and occasional regress).
Release Date:
September 23, 2024
Original Title:
The 25th Anniversary of Christina Aguilera - Spotify Anniversaries LIVE
Genres:
Documentary | Music
Production Companies:
Spotify
bigkid
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 27
To celebrate the 25th Anniversary of her self-titled debut album, Christina Aguilera entered the Spotify Music Studios in Los Angeles, CA to reimagine the iconic album that shaped the early 2000s pop landscape. Christina’s intention with rerecording & performing these select tracks was to pay homage to the music in a way that honors the girl she was 25 years ago while remaining authentic to the woman she is today.
Best Boy Electric:
Joe Escandell
Best Boy Grip:
Simeon Mihaylov
Director:
Bradley J. Calder
Editor:
Brian Niles
Executive Producer:
Sarah Patellos
Isabelle Homola
Will Noyce
Sarah Francus
Alejandro Jimenez
Gaffer:
Mathias Peralta
Key Grip:
Brad Powers
Line Producer:
Vladen Ponomar
Producer:
Katherine Jordan
Production Design:
Annie Becker
Set Dresser:
Jamie Sue Weiss
Evelyn Jimenez
Angie Johnson
Donovan Sykes
Jonathan Rodriguez
Drew Wall
Supervising Sound Editor:
Jack Mason
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.