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Christmas On Call (2024) [N/A]

Release Date:
November 22, 2024

Original Title:
Christmas On Call

Genres:
Drama | Romance | TV Movie

Production Companies:
Hallmark Media

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 84

First Responders in the line of love

Overview from TheMovieDB

The lives of first responders in Philadelphia intersect over the holiday season while juggling work, personal lives, and their dedication to protect and serve their city.

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Additional information:

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Video

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Trailer

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Performers

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Production

"A" Camera Operator:
Doug Schwartz

"B" Camera Operator:
Brad Crawford
Devon Unrau

Art Department Coordinator:
Katie Man

Art Direction:
Jacqui Dudeck

Assistant Costume Designer:
Paula Dunfield

Assistant Hairstylist:
Zinka Tuminski

Assistant Location Manager:
Fraser Auld
Evan Duplak

Assistant Makeup Artist:
Ashley Hyra

Assistant Production Coordinator:
Daniel Cochon

Assistant Production Manager:
Drew Scurfield

Assistant Property Master:
Kim Hamin

Assistant Set Decoration:
Remi Verfaillie

Best Boy Electric:
Stephen Burchill

Best Boy Grip:
Joe Dodd

Boom Operator:
Eric Neufeld

Camera Trainee:
Crystal Liang

Casting:
Carmen Kotyk

Colorist:
Aryan Sehgal

Construction Coordinator:
Scott Hopper

Costume Designer:
Heather Neale

Costume Set Supervisor:
TJ Kshymensky

Costume Supervisor:
Chris Eastman

Dialogue Editor:
Jeremy Laing

Digital Imaging Technician:
Kyle Baldwin

Director:
Jeff Beesley

Director of Photography:
Paul Suderman

Dolly Grip:
Martin Yeung
Robert Thomson

Editor:
Chad Tremblay

Executive In Charge Of Production:
Camden Simmons
Devika Boodhoo

Executive Producer:
Jonathan Eskenas
Kimberley Bradley

Extras Casting:
Heather Madill

Extras Casting Assistant:
Libid Zyla-Harder

Extras Dresser:
Michelle Boulet

Finishing Producer:
Yulia Hutorchuk

First Assistant "A" Camera:
Greg Winterton

First Assistant "B" Camera:
Perry Thompson

First Assistant Director:
Reid A. Dunlop

First Assistant Editor:
Daniel Cochon

Gaffer:
Blayne Badge

Grip:
Cyril Karwa
Arsen Busel
Shea St. Vincent

Hair Department Head:
Roberta McKenny

Key Grip:
Andrew Szumilak

Key Hair Stylist:
Barb Veosovich

Key Makeup Artist:
Kristen Watts

Lead Set Dresser:
Kasey Klem

Line Producer:
Lisa Cichelly

Local Casting:
Penny Perry
Tatiana Erasme
Miguel Fierro

Location Manager:
Alex White

Makeup Department Head:
Kim Wright

Music Supervisor:
Lexy Brewer

Original Music Composer:
Christopher Guglick

Producer:
Ian Dimerman

Production Coordinator:
Sean Livingstone

Production Design:
Mike Mulhall

Production Manager:
Lisa Cichelly

Property Buyer:
Alicia Coulson
Sandra Lee

Property Master:
Vava Renata

Script Supervisor:
Tanya Mazur

Second Assistant "A" Camera:
Mary Rose Vallarta

Second Assistant "B" Camera:
Ethan Stiglich

Second Assistant Director:
Florencia Gor

Set Decoration:
Heather Arabsky

Set Decoration Buyer:
Steve Benson

Set Dresser:
Izzy Sale
Laurie Link
Austin Klassen
Rachel Kendall
Robb Paraskevopoulos
Brandy Wiebe

Sound Effects Editor:
Mark Gingras

Sound Mixer:
Manfred Gay

Sound Re-Recording Mixer:
Ethan Meinert
Andrew Roshka

Special Effects Coordinator:
Davin MacRae

Special Effects Manager:
Eric Madill

Special Effects Technician:
Jason Lowe
Mark Gebel
Kurt Swar

Still Photographer:
Steven Ackerman

Story:
Jennifer Barrow

Stunt Coordinator:
Kristen Sawatzky

Teleplay:
Jennifer Barrow
Christopher Sey

Third Assistant Director:
Allee Hembroff
Hailee Kristjanson

Truck Costumer:
Brenda Zachanowich

Utility Sound:
Justin Cure

VFX Artist:
Justin Gulernchyn

Visual Effects Supervisor:
Darren Wall

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.