A work in constant progress (and occasional regress).
Release Date:
May 15, 2003
Original Title:
The United States of Leland
Alternate Titles:
16歳の合衆国
20 Messerstiche
A fiatalkorú
Dilitiriasmenes psyhes
El crimen de Leland
El mundo de Leland
Il delitto Fitzgerald
Jungtines Lylando valstijos
Leland Birleşik Devletleri
Les états-Unis de Leland
Nepricakovani zlocin
O Mundo de Leland
Odmienne stany moralności
Os Estados Unidos de Leland
Solitude - Die geheimnisvolle Welt des Leland Fitzgerald
State of Mind
Statele Unite ale lui Leland
The United States of Leland
Соединенные штаты Лиланда
Съединените щати на Лиланд
李岚的天空
Genres:
Crime | Drama
Production Companies:
MDP Worldwide
Media 8 Entertainment
Paramount Classics
Thousand Words
Trigger Street Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 FR: 12 GB: 15 US: R
Runtime: 108
A withdrawn young man, Leland Fitzgerald is imprisoned for the murder of a mentally disabled boy, who also happened to be the brother of his girlfriend, Becky. As the community struggles to deal with the killing, Pearl Madison, a teacher at the prison, decides to write about Leland's case. Meanwhile, others affected by the murder, including Becky and her sister, Julie, must contend with their own problems.
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"B" Camera Operator:
Robert D. McBride
Casey Hotchkiss
Earl Clark
ADR Editor:
David Franklin Bergad
ADR Recordist:
Chris Navarro
ADR Voice Casting:
Barbara Harris
Additional Hairstylist:
Marina Hart
Art Direction:
Kevin Constant
Assistant Art Director:
Mark Molina
Assistant Editor:
Michael Nouryeh
Assistant Production Coordinator:
Jude S. Walko
Assistant Sound Editor:
Chris Gridley
Nathan Gunn
Best Boy Electric:
Frans Wetterings III
Best Boy Grip:
Lionel T. Portugal Sr.
Boom Operator:
Misty Conn
Cableman:
Alex Names
Camera Operator:
Robert Edesa
Casting:
Emily Schweber
Color Timer:
Mato
Construction Coordinator:
Joseph C. Fama
Costume Design:
Genevieve Tyrrell
Costume Supervisor:
Heidi Higginbotham
Dialogue Editor:
David Franklin Bergad
Director:
Matthew Ryan Hoge
Director of Photography:
James Glennon
Dolby Consultant:
Daniel Sperry
Dolly Grip:
Troy N. Wade
Editor:
Jeff Betancourt
Electrician:
Matthew Coleman
Chuck Mason
Casey Ellison
Tony Bryan
First Assistant "B" Camera:
Garrett Benson
Maurizio Dotto
First Assistant Camera:
Dominic Napolitano
First Assistant Director:
William Paul Clark
Foley Artist:
Margie O'Malley
Foley Editor:
Patti Tauscher
Foley Recordist:
Ben Conrad
Gaffer:
Kevin Brennan
Hair Department Head:
Voni Hinkle
Key Costumer:
Molly Grundman-Gerbosi
Key Grip:
David L. Merrill
Key Hair Stylist:
Shari Perry
Leadman:
Louise Del Araujo
Location Manager:
Christine Bonnem
Makeup Department Head:
Ben Nye Jr.
Melanie Hughes
Music Editor:
Jeff Lingle
Matt Friedman
Original Music Composer:
Jeremy Enigk
Post Production Accountant:
Kimberly Edwards
Post Production Supervisor:
Michael Toji
Producer:
Bernie Morris
Jonah Smith
Palmer West
Kevin Spacey
Production Accountant:
Marsha L. Swinton
Production Coordinator:
Celeste Healy
Production Design:
Edward T. McAvoy
Production Sound Mixer:
Richard Van Dyke
Property Master:
Mychael Bates
Script Supervisor:
Jay Mason
Second Assistant "B" Camera:
Ron Peterson
Eric Roizman
Second Assistant Camera:
Matthew A. Del Ruth
Second Assistant Director:
Dawn Massaro
Second Second Assistant Director:
Heather Grierson
Set Decoration:
Jan Pascale
Sound Effects Editor:
Piotr Filipowski
Sound Re-Recording Mixer:
David Parker
Mark Berger
Steadicam Operator:
Mark La Bonge
Still Photographer:
Lorey Sebastian
Studio Teacher:
Lucas Moore
Nancy Pyne-Hapke
Stunt Coordinator:
Keith Adams
Supervising Music Editor:
Mike Flicker
Supervising Sound Editor:
John Nutt
Unit Production Manager:
Michelle LeDoux
Writer:
Matthew Ryan Hoge
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.