A work in constant progress (and occasional regress).
Release Date:
October 29, 1995
Original Title:
At the Midnight Hour
Alternate Titles:
Harlequin: At the Midnight Hour
Genres:
Drama | Romance
Production Companies:
Alliance Films
CTV
Harlequin
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: PG-13|NR
Runtime: 87
Wealthy widower Richard Keaton engages young widow Elizabeth 'Liz' Guinness as the 4th consecutive nanny for his pre-teen, equally science-devoted son Andrew, with instructions to disturb neither. She learns of mother Alycia's fatal fall, an official suicide but was probably murder. Dad keeps Andy at a distance, so he draws towards Liz. Real danger starts when Richard's brother, novelist Blain, arrives with his friend Jillian, to sell the ancestral estate against Richard's will.
Art Direction:
Mario Mercuri
Assistant Editor:
Craig Webster
Costume Design:
Sharon Purdy
Dialogue Editor:
Steven Toepell
Director:
Charles Jarrott
Director of Photography:
Robert Fresco
Editor:
Bruce Lange
Executive Consultant:
Jana Veverka
First Assistant Director:
Woody Sidarous
Foley Artist:
Gary Daprato
Gaffer:
David Fisher
Hairstylist:
Reg Quindinho
Key Grip:
Mark Silver
Lead Set Dresser:
Steven Essam
Local Casting:
Clare Walker
Location Manager:
Robin Brinsmead
Makeup Artist:
Marie Nardella
Music Supervisor:
Ron Proulx
Novel:
Lisa Gardner
Original Music Composer:
Charles T. Cozens
Producer:
Norman Denver
Production Coordinator:
Nancy Wilson-Kelly
Production Design:
Harold Thrasher
Production Manager:
Lena Cordina
Property Master:
Woody Stewart
Script Supervisor:
Anna Rane
Set Decoration:
Jerri Thrasher
Sound Effects Editor:
Anthony Lancett
Sound Re-Recording Mixer:
Tim Archer
Rick Ellis
Sound Recordist:
Bill McMillan
Supervising Producer:
Jean Desormeaux
Noreen Halpern
Transportation Coordinator:
Glen Avigdor
Writer:
Joe Wiesenfeld
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.