A work in constant progress (and occasional regress).
Release Date:
May 15, 2011
Original Title:
Edge of the Garden
Genres:
Drama | Fantasy | TV Movie
Production Companies:
Front Street Pictures
Production Countries:
Canada
Ratings / Certifications:
US: PG
Runtime: 84
Newly single Brian Connor moves to Maine and buys a long abandoned house in the country. After moving in, he begins to communicate with a woman who lived in the house 50 years ago and who died under mysterious circumstances.
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"A" Camera Operator:
Jill MacLauchlan
"B" Camera Operator:
Pat Cronin
Art Direction:
Cherie Kroll
Assistant Costume Designer:
Shiva Shabani
Assistant Editor:
David Grave
Assistant Hairstylist:
Rita Mooney
Assistant Location Manager:
Geoffrey Dodd
Assistant Production Coordinator:
Colin House
Assistant Set Decoration:
Leesa Hanna
Associate Producer:
Michael Shepard
Best Boy Electric:
Brad Mear
Shea Pollard
Boom Operator:
Paul Novokshonoff
Business Affairs Coordinator:
Marnie Young
Casting:
Shana Landsburg
Melissa Perry
Casting Assistant:
Alicia Jordan
Chef:
Campbell Watson
Colorist:
Gary Shaw
Controller:
Marnie Termuende
Costume Designer:
Rebekka Sorensen
Craft Service:
Glenn Mowatt
Data Management Technician:
Gary Saibil
Dialogue Editor:
Stephen Cheung
Director:
Michael M. Scott
Director of Photography:
Adam Sliwinski
Dolly Grip:
Jules Quesnel
Editor:
Charles Robichaud
Executive Producer:
Jack Grossbart
Harvey Kahn
Michael M. Scott
Extras Casting:
Sara Brown
First Assistant "A" Camera:
Ariane Jonassen
First Assistant "B" Camera:
Mischa Haman-Dass
First Assistant Director:
Mike Crain
First Assistant Editor:
David Grave
Foley Artist:
Ian Mackie
Don Harrison
Gaffer:
Ronald Richard
Generator Operator:
Chris Wojski
Key Costumer:
Tina Wilson
Key Grip:
Miguel Gelinas
Key Hair Stylist:
Debra Johnson
Key Makeup Artist:
Tana Lynn Moldovanos
Legal Services:
Juliet Smith
Lighting Technician:
Mackenzie Dunham
Location Manager:
Kent Sponagle
Makeup Artist:
Erin Mackenzie
Online Editor:
David Robinson
Original Music Composer:
Graeme Coleman
Payroll Accountant:
Sarah Pennington
Post Production Supervisor:
Dawn Knight
Producer:
Harvey Kahn
Production Accountant:
Kathy Eyre Candiago
Production Coordinator:
Yale Kussin
Production Design:
Jill Scott
Production Manager:
Allen Lewis
Production Sound Mixer:
Steven Weakes
Property Master:
Ric Walkington
Screenplay:
Duane Poole
Script Supervisor:
Carol Green-Lundy
Second Assistant "A" Camera:
Peter Leung
Second Assistant "B" Camera:
Aleks Pichlak
Second Assistant Director:
Robert S. Weber
Second Assistant Production Coordinator:
Mark MacDonald
Set Decoration:
Ide Foyle
Sound Designer:
Chester Bialowas
Sound Re-Recording Mixer:
Brody Ratsoy
Greg Stewart
Special Effects Coordinator:
Tom Blacklock
Still Photographer:
Katie Yu
Stunt Coordinator:
Lloyd Adams
Transportation Captain:
Jim Papadogambros
Transportation Coordinator:
Dean Fitzpatrick
Visual Effects Supervisor:
Romald Geoffery
Geoffery Antony
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.