A work in constant progress (and occasional regress).
Release Date:
August 21, 2024
Original Title:
Zwei gegen die Bank
Genres:
Comedy | Crime | TV Movie
Production Companies:
ARTE
Gebhardt Productions
ORF
Production Countries:
Austria | Germany
Ratings / Certifications:
N/A
Runtime: 90
The Viennese cab driver Maggy has all kinds of problems, not least monetary ones. But suddenly Maggy's financial problems could solve all by themselves when Juliette Koons, who has been reported missing, gets into her cab with a heavy suitcase.
"B" Camera Operator:
Johannes Höß
Assistant Camera:
Stefan Maitz
Johanna Auer
Assistant Costume Designer:
Johanna Pflaum
Assistant Director:
Nadja Berke
Assistant Editor:
Nina Stafflinger
Anna Zibar
Assistant Production Design:
Flo Hanatschek
Casting:
Lisa Olah
Color Grading:
Lee Niederkofler
Commissioning Editor:
Julia Sengstschmid
Claudia Tronnier
Continuity:
Renate Neugebauer
Costume Designer:
Carola Pizzini
Director:
Clara Stern
Director of Photography:
Thomas Dirnhofer
Dolly Grip:
Damjan Straus
Editor:
Matthias Writze
Gaffer:
Thomas Klicka
Idea:
Dominic Oley
Thomas Dirnhofer
Line Producer:
Helmut Lehner
Makeup Artist:
Nora Conradi
Alexandra Knopp
Original Music Composer:
Christoph Stock
Thomas Kathriner
Post Production Coordinator:
David Handl
Producer:
Florian Gebhardt
Gregor Schmalix
Production Accountant:
Sabine Fraissl
Production Coordinator:
Jasmin Volgger
Production Design:
Conrad Moritz Reinhardt
Production Manager:
Gregor Schmalix
Property Master:
Johannes Weckl
Michael Stegmüller
Reinhard Kaiser
Sound:
Benedikt Palier
Sound Assistant:
Jón H. Geirfinnsson
Sound Mixer:
Michael Plöderl
Still Photographer:
Petro Domenigg
Story Editor:
Clara Stern
Unit Manager:
Daniela Matschnig
Wardrobe Master:
Lisa Jelem
Tamara Dorfmeister
Writer:
Dominic Oley
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.