A work in constant progress (and occasional regress).
Release Date:
September 19, 2008
Original Title:
Lakeview Terrace
Alternate Titles:
Kínzó közelség
La Terrazza sul Lago
Lakeview Terrace - Böser Nachbar
Vecinos en la mira
Добро пожаловать в Лэйквью!
Genres:
Crime | Drama | Thriller
Production Companies:
Overbrook Entertainment
Screen Gems
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ CZ: 15+ DE: 12 DK: 12 FR: 16 HU: 16 IE: 15 JP: R18+ KR: 15 NL: 12 PL: 16 SK: 15 US: PG-13
Runtime: 110
A young interracial couple has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their relationship. A tightly wound LAPD officer has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly aggressive to the newlyweds. These persistent intrusions into their lives cause the couple to fight back.
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"A" Camera Operator:
Paul Sanchez
"B" Camera Operator:
Patrick Rousseau
ADR Editor:
David A. Cohen
ADR Mixer:
Howard London
Brian Smith
Additional Editor:
Keith Brachmann
Art Department Coordinator:
Meg Harker
Art Direction:
Paul Sonski
Thomas T. Taylor
Assistant Chief Lighting Technician:
Greg Etheredge
Assistant Location Manager:
Duffy Taylor
Assistant Sound Editor:
Dana LeBlanc Frankley
Boom Operator:
Todd O. Russell
Camera Loader:
Robin Bursey
Casting:
Heidi Levitt
Casting Assistant:
Lauren Fernandes
Chief Lighting Technician:
Christopher Prampin
Compositing Supervisor:
R. Matt Smith
Construction Coordinator:
David Elliott
Costume Design:
Lynette Meyer
Costume Supervisor:
Stacy Horn
Costumer:
Amelia Buhrman
Askia Won-Ling Jacob
Anita Louise Brown
Craft Service:
Charlie Scott
Dialogue Editor:
Robert Troy
Digital Colorist:
Scott Gregory
Director:
Neil LaBute
Director of Photography:
Rogier Stoffers
Dolly Grip:
Fred Cooper
Editor:
Joel Plotch
Executive Producer:
David Loughery
Jeffrey Graup
Joe Pichirallo
Extras Casting:
Rich King
First Assistant "A" Camera:
Alan R. Disler
First Assistant "B" Camera:
David Eubank
First Assistant Director:
Donald Murphy
Foley Artist:
Vincent Guisetti
Pamela Kahn
Foley Editor:
Willard Overstreet
Foley Mixer:
Kyle Rochlin
Hair Department Head:
Linda Villalobos
Hairstylist:
Robert L. Stevenson
Key Costumer:
Kimberly Johnson
Key Grip:
Brian H. Reynolds
Key Hair Stylist:
Rhonda O'Neal
Key Makeup Artist:
Sara Vaughn
Leadman:
Ken Turek
Location Manager:
Kevin Funston
Makeup Department Head:
Allan A. Apone
Music Editor:
Jen Monnar
Original Music Composer:
Mychael Danna
Jeff Danna
Post Production Supervisor:
Eric Bergman
Producer:
John Cameron
Orin Woinsky
Will Smith
James Lassiter
Production Accountant:
Chris Romberg
Production Design:
Bruton Jones
Production Supervisor:
Karen Ruth Getchell
Property Master:
Will Blount
Screenplay:
Howard Korder
David Loughery
Script Supervisor:
Jillian Giacomini
Second Assistant "A" Camera:
Tommy Tieche
Second Assistant "B" Camera:
Andrae Crawford
Second Assistant Director:
Peter Dress
Second Second Assistant Director:
Renee Hill-Sweet
Set Decoration:
Don Diers
Set Designer:
Mick Cukurs
Sound Effects Editor:
Steve Tushar
Sound Mixer:
Lee Orloff
Sound Re-Recording Mixer:
Gary C. Bourgeois
Bill W. Benton
Sound Recordist:
Fred Peck III
Special Effects Coordinator:
John C. Hartigan
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Chuck Zlotnick
Story:
David Loughery
Storyboard Artist:
Todd Harris
Studio Teacher:
Karri Mayo
Stunt Coordinator:
Ben Hernandez Bray
Stunts:
Tanoai Reed
Jimmy Ortega
Supervising Sound Editor:
Ronald Eng
Unit Production Manager:
John Cameron
Unit Publicist:
Paulette Dauber
Video Assist Operator:
Steve Irwin
Visual Effects Coordinator:
Sean Tompkins
Visual Effects Producer:
Raoul Bolognini
Visual Effects Supervisor:
Dick Edwards
Rocco Passionino
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.