A work in constant progress (and occasional regress).
Release Date:
September 5, 2024
Original Title:
So Surreal: Behind the Masks
Genres:
Documentary
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 88
A feature documentary that traces the storied journey of Indigenous masks from the far reaches of Turtle Island into the hands of European Surrealists, influencing the work and worldview of artists and writers like Max Ernst, André Breton, Roberto Matta and Joan Miró – all while following the dramatic quest to return a mask that was brutally stolen from the Kwakwa̱ka̱ʼwakw people on Canada’s northwest coast over a century ago. Part caper, part road trip, part spiritual journey, the film follows Cree filmmaker Neil Diamond (Reel Injun) as he travels coast-to-coast and across the Atlantic and back, gradually piecing together this global story of influence, reconnection and restitution.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.