A work in constant progress (and occasional regress).
Release Date:
January 1, 1996
Original Title:
Mexique Mort Ou Vif
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 53
A portrait of the country of Mexico, as seen through the eyes of Mario Rojas Alba, a physician and former member of Congress, who fled to Montreal as a political refugee after surviving a brutal physical assault. During a cautious trip home, he guides us through the workings of political repression and violence in Mexico. The resulting film reveals the darker side of this vast country which became our official trading partner in 1994 under NAFTA (the North American Free Trade Agreement), an accord criticized by a great many Mexicans, especially the indigenous people of Chiapas, who rose in revolt, demanding a more just and democratic society. On the Day of the Dead, families and friends remember those who have "disappeared"; widows lay flowers on the graves of husbands slain for opposing the ruling party. By their side, Alba reaffirms his commitment to a peaceful transition toward true democracy.
Additional Sound Re-Recordist:
Jacques Drouin
Assistant Camera:
Yoan Cart
Yves Beaudion
Assistant Sound Engineer:
Nathalie Miron
Cinematography:
François Beauchemin
Director:
Mary Ellen Davis
Editor:
Camille Laperrière
Lighting Technician:
Roger Martin
Location Manager:
Michel Dandavino
Music:
Marc Villemure
Music Producer:
Louis Hone
Production Assistant:
Berenice Manjarrez
María Fernanda Gutiérrez
Guillermo Contreras Rojas
Victor Javier Acevedo
Juan Rojas Alba
Sergio Contreras Rojas
Research Assistant:
Maricarmen Merino
Researcher:
Mary Ellen Davis
Mario Rojas Alba
Sound Editor:
Gilles Quintal
Sound Recordist:
Marcel Fraser
Jean-Paul Vialard
Shelley Craig
Still Photographer:
Mary Ellen Davis
Enrique Torres Agatón
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.