Home

Splinter (2008) [R]

Release Date:
October 31, 2008

Original Title:
Splinter

Alternate Titles:
Astilla
Ciern
Espinhos
Esta dentro de ti
分裂
异形魔种

Genres:
Horror | Thriller

Production Companies:
ContentFilm International
Expedition Films
Indion Entertainment Group
Kish Productions

Production Countries:
United States of America

Ratings / Certifications:
AT: 16  DE: 16  GB: 18  IE: 18  US: R 

Runtime: 82

It will get under your skin.

Overview from TheMovieDB

When their plans for a nature trip go awry, Polly and boyfriend Seth decide to check into a motel. On their way, they're carjacked and kidnapped by low-rent crooks Dennis and Lacey, who take the victims and their SUV to a nearby gas station. Along the way, they encounter an increasingly terrifying horde of parasites, and if any of them intend to survive, they'll have to outsmart the deadly organisms.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Mixer:
Doug Latislaw

Additional Editor:
David Cutler
Randy D. Wiles

Art Department Assistant:
Sean P. Egan

Art Direction:
Thomas Spence

Assistant Art Director:
Carla Marie Rugg

Assistant Sound Editor:
Devin Johnson

Best Boy Electric:
Sunrise Tippeconnie

Boom Operator:
Joseph Campo
Dylan Mackey

Camera Intern:
Lucas Kelley

Camera Operator:
Shawn Klein

Casting:
Chris Freihofer
Lauren Bass

Co-Producer:
John Glosser
Iqbal Ahmed
Raj Patil

Craft Service:
Melody Emerson
Sabrina North

Digital Intermediate:
Marc Ross
Lisa Markou
Jesse Wagler

Digital Intermediate Assistant:
Travis Flynn

Digital Intermediate Colorist:
Mike Eaves

Digital Intermediate Editor:
Nathan R. Fitzgerald

Digital Intermediate Producer:
Cindy Bond

Director:
Toby Wilkins

Director of Photography:
Nelson Cragg

Dolby Consultant:
Trevor Ward

Dolly Grip:
Brian Boyll

Editor:
David Michael Maurer

Electrician:
Leah Camacho
Sidell McConville
Monte Seaborn

Executive Producer:
Chad Burris
Dori Begley
Graham Begg
Jamie Carmichael
Mark Cuban
Todd Wagner

First Assistant "A" Camera:
Marc Wiercioch
Elliott Schackne

First Assistant "B" Camera:
Peter Hermes

First Assistant Editor:
Dustin Haynes

Foley Artist:
Jong-on Kotsranoi
Chumnan Kongsr

Foley Recordist:
Richard Hocks
Natee Kongsri

Gaffer:
Scott Forrester

Grip:
Kevin Stewart
M. Shane Cates

Key Grip:
Jon Shryock

Key Hair Stylist:
Shelly D'Apolito

Key Makeup Artist:
Gary Domasin

Makeup Effects:
Kelly Golden
Ozzy Alvarez

Music Coordinator:
Sachiko Goto

Original Music Composer:
Elia Cmiral

Producer:
Ted Kroeber
Kai Barry

Production Design:
Jennifer Spence

Production Supervisor:
Payton Dunham

Property Master:
Sean Lynch

Pyrotechnic Supervisor:
Pat Henderson

Pyrotechnician:
Levi Clark
Gregory Hebert

Script Supervisor:
Kelly Kelley

Second Assistant "A" Camera:
Joseph A. Cook

Second Assistant "B" Camera:
April Castaneda
Laura Marshala

Set Decoration:
E.J. Holland

Sound Editor:
Miguel Rivera
Sandy Gendler

Sound Mixer:
David Stevens

Sound Re-Recording Mixer:
Stanley Kastner
Ben Wilkins

Still Photographer:
Brett Deering

Stunt Coordinator:
Jackson Burns

Supervising Sound Editor:
Jon Johnson
Ben Wilkins

Unit Production Manager:
John Glosser

Unit Publicist:
Kathleen McInnis

Visual Effects:
Matt Ciaglia
Josh Miyaji

Visual Effects Coordinator:
Anna Keizer

Visual Effects Producer:
T.J. Welch

Visual Effects Supervisor:
Toby Wilkins
David Sosalla
George Cawood

Wardrobe Assistant:
Paul Friedman

Wardrobe Supervisor:
Jane Montgomery

Writer:
Ian Shorr
Kai Barry

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.