A work in constant progress (and occasional regress).
Release Date:
September 30, 2025
Original Title:
Dalloway
Alternate Titles:
The residence
Genres:
Drama | Thriller
Production Companies:
Gaumont
La Compagnie Cinématographique
Mandarin Cinéma
Panache Productions
Production Countries:
Belgium | France
Ratings / Certifications:
N/A
In the near future, Clarissa, a novelist with writer’s block, joins a prestigious, state-of-the-art artist residency where she’s assigned an AI assistant named Dalloway. The latter quickly becomes more than a simple assistant and turns into a true confidante for Clarissa. Unsettled by Dalloway’s increasing intrusion, Clarissa is warned by whistleblower Mathias, who informs her of the true motives behind the residency and its tech company funder. Clarissa begins to suspect that this seemingly perfect situation is in fact a meticulously crafted trap.
Assistant Costume Designer:
Regina van Eijden
Assistant Script:
Louise Loly
Best Boy Electric:
Stanislas Etenaille
Book:
Tatiana De Rosnay
Boom Operator:
Céline Bodson
Casting:
Michaël Bier
Costume Designer:
Olivier Ligen
Digital Imaging Technician:
Bertrand Glosset
Director:
Yann Gozlan
Director of Photography:
Manuel Dacosse
Electrician:
Robin Baudour
Julien De Smet
Antoine Doyen
Emilie Guéret
Mathieu Storms
Malik Elbartal
First Assistant Camera:
Olivier Servais
First Assistant Director:
Natalie Engelstein
Gaffer:
Emilien Faroudja
Grip:
Geraldo Haag
Key Grip:
Corentin Geisen
Post-Production Manager:
Patricia Colombat
Camille Schumacher
Producer:
Nicolas Altmayer
Eric Altmayer
Production Coordinator:
Héloïse Lorient
Screenplay:
Thomas Kruithof
Nicolas Bouvet
Yann Gozlan
Second Assistant Camera:
Guillaume Augeri
Second Assistant Director:
Charlotte Cristin
Sound Mixer:
Armance Durix
Third Assistant Director:
Liam Masquida
Video Assist Operator:
Victor Darimont
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.