A work in constant progress (and occasional regress).
Release Date:
May 9, 2008
Original Title:
The Babysitters
Genres:
Drama
Production Companies:
Forensic Films
O.D.D. Entertainment
Rebel Films
Upload Films
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: 12 GB: 18 IE: 18 NL: 12 PL: R US: R
Runtime: 88
Seventeen-year-old Shirley is a good student who works as a babysitter in order to make money for college. One night Michael, a father Shirley works for, confesses he's unhappy with married life. Shirley has a crush on Michael, and seizes this moment to kiss him. Michael is so happy he presents Shirley with a big tip, which gives her an idea. Shirley plans to make extra money by setting up her teenage friends with other unhappy fathers.
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ADR Mixer:
Andrew Morgado
Jeremy Balko
Scott Waz
Greg Farrell
Will Edwards
ADR Supervisor:
Esther Regelson
Additional Editor:
Cara Silverman
Christopher Kroll
Additional Hairstylist:
Johnny Mooi
Annemarie Bradley
Taurance F. Williams
Art Department Coordinator:
Alanna Levy
Assistant Costume Designer:
Aneikit Bonnel
Kim Korba
Assistant Location Manager:
Phillip Saxton
Assistant Property Master:
Joe Coppola
Mike Nieves
Assistant Sound Editor:
Robert Dehn
Phillip Young
Associate Producer:
Ilan Arboleda
Best Boy Electric:
Jonathan Stern
Best Boy Grip:
Meraby Ellis
Boom Operator:
Chris Fondulas
Teferra McKenzie
Camera Operator:
David Waldman
Casting:
Ronnie Yeskel
Co-Producer:
George Rizkallah
Color Timer:
Lance Spindler
Construction Coordinator:
Richard Hebrank
Costume Design:
Daphne Javitch
Dialogue Editor:
Esther Regelson
Director:
David Ross
Director of Photography:
Michael McDonough
Editor:
Zene Baker
Executive Producer:
Robin O'Hara
Scott Macaulay
Chira Cassel
Laura Knight
John Portnoy
Todd Williams
Nick Thurlow
Extras Casting:
Rita Powers
Sean Powers
First Assistant Camera:
Eddie Rodriguez
First Assistant Director:
Urs Hirschbiegel
Foley Artist:
Brian Vancho
Vicki O'Reilly Vandegrift
Zach Michaelis
Foley Mixer:
Judah Getz
Foley Recording Engineer:
Roberto Carlos Lange
Gaffer:
Jason Velez
Key Grip:
Vadim Frumin
Key Hair Stylist:
Lora Scrignoli
Key Makeup Artist:
Suzanne DeSimone
Leadman:
Peter DeCurtis
Line Producer:
Michael Romero
Local Casting:
Stephanie Holbrook
Location Manager:
Marcy McKenzie
Music Supervisor:
Jim Black
Original Music Composer:
Chad Fischer
Producer:
John Leguizamo
Jennifer Dubin
Cora Olson
Jason Dubin
Kathy DeMarco
Production Accountant:
Tara Andrus
Production Design:
Ray Kluga
Production Office Coordinator:
Susan T. Parsons
Production Supervisor:
Jimmy Price
Property Master:
Leni Calas
Script Supervisor:
Stephanie A. Marquardt
Second Assistant Camera:
Elisa Vasquez
Second Assistant Director:
Jason Graham
Second Second Assistant Director:
Andrew Cesana
Second Unit Director:
Jason Dubin
Set Costumer:
Colleen McTigue
Set Decoration:
Mila Khalevich
Sound Designer:
Jason Dotts
Sound Effects Editor:
Kevin Gradnigo
Cameron O. Galloway
Nathan Toups
John B. Cormier
Sound Mixer:
Noah Timan
Sound Re-Recording Mixer:
Scott Hinkley
Jonathan Wales
Sound Recordist:
Jason Gaya
Richard Kitting
Steadicam Operator:
Alec Jarnagin
Still Photographer:
Jessica Miglio
Stunt Coordinator:
Elliot Santiago
Manny Siverio
Stunt Double:
Tina Mckissick
Stunts:
Roy Farfel
Transportation Captain:
George Holtzer
Wardrobe Supervisor:
Amy Pickering
Writer:
David Ross
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.