A work in constant progress (and occasional regress).
Original Title:
260 Days
Alternate Titles:
260 dana
Genres:
Drama | History | Thriller | War
Production Companies:
260DAYS
Arramis Films
Croatia Film
Production Countries:
Croatia | United States of America
Ratings / Certifications:
N/A
The carefree and somewhat idyllic life of a ten year old boy named Marijan is violently interrupted when war ravages his small town of Dalj and his families closest friends and neighbors turn on them purely because they are Croatian. Marijan is forced to witness and experience things an adult would have an incredibly difficult time dealing with. He is nevertheless faced with the inexplicably horrid events war brings out in people. The story centers on a present day Marijan- now the very successful owner of a wood manufacturing business. On one random day a man walks into his store and all of the memories he wishes he could long forget come flooding back, forcing him to relive them. Despite his immense hardships, Marijan lives on in forgiveness, always seeking the positives that lay in the future rather than rehashing and remaining in the past.
Art Direction:
Davor Molnar
Casting Assistant:
Veronika Milinović
Casting Director:
Ilenka Jelowicki
Costume Designer:
Jasmina Pacek
Director:
Jakov Sedlar
Director of Photography:
Davor Bjelanović
Editor:
Yvan Gauthier
Electrician:
Bojan Vukasinovic
Extras Casting:
Ružica Butorac
Foley:
Mark McBryde
Gaffer:
Ivica Andjelovic
Makeup Artist:
Maja Travinic
Music:
Anne Dudley
Novel:
Marijan Gubina
Original Music Composer:
Dalibor Grubačević
Producer:
Jakov Sedlar
Rafael Primorac
Željko Zima
Dražen Majstrović
Alexander Hrkac
Marijan Gubina
Script Supervisor:
Goranka Greif-Soro
Sound Recordist:
Luka Mustać
Steadicam Operator:
Krunoslav Ivsic
Wardrobe Assistant:
Rebecca Darnell
Writer:
Dominik Sedlar
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.