A work in constant progress (and occasional regress).
Release Date:
October 6, 2023
Original Title:
A Look in the Rear View
Genres:
Comedy
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 126
On the night before his wedding, a good-natured, self-effacing groom reflects on a memorable and transitional year, which will make you laugh, think and maybe even cry - but mostly laugh.
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Additional Casting:
Evelyn Manchester
Assistant Art Director:
Catherine Harris
Max Harris
Stephanie Jeandell
Assistant Editor:
Taylor Doose
Best Boy Electric:
Jesse Hosick
Best Boy Grip:
Nathan Airey
Boom Operator:
Caitlyn Mason
Joshua Eli Roberts
Cinematography:
Jeremy Royce
Consulting Producer:
Saadeh P.C.
Director:
Gregg Harris
Editor:
Tony Malanowski
Executive Producer:
Gregg Harris
First Assistant Camera:
Briana Del Giorno
First Assistant Director:
Patricia Meyers
Gaffer:
James A. Ray
Key Costumer:
Taylor Gray Burke
Key Grip:
Sam Grodnitzky
Key Makeup Artist:
Sara Ritmiller
Legal Services:
Aditya Ezhuthachan
David Albert Pierce
Cathie Saadeh
Makeup Artist:
Doris Elias
Music:
Randy Edelman
Music Sound Design and Processing:
Elton Ahi
Music Supervisor:
John Velasco
Other:
Hannah Cantrell
Production Assistant:
Carlos Chavez
Hailey Lood
Bryan Steger
Marisa Whitcomb
Property Master:
Trevor Stevie Ray Ontiveros
Script Supervisor:
Kat Manchester
Tirzah Shepard
Second Assistant Camera:
Noah Vickers
Maddy Wade
Second Assistant Director:
Evelyn Manchester
Set Decoration:
Kat Manchester
Songs:
Christian Velasco-Mills
Sound Mixer:
Sebastian Levy Polat
Supervising Sound Editor:
Peter Mullen
Visual Effects:
Emad N. Al-Khateeb
Brian DeMetz
Henry Torbin
Writer:
Gregg Harris
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.