A work in constant progress (and occasional regress).
Release Date:
October 20, 2024
Original Title:
Arenillas
Genres:
Drama | Family | Fantasy
Production Companies:
Escac Films
Production Countries:
Spain
Ratings / Certifications:
N/A
After his father death, Ana travels to Arenillas. There she finds herself alone, but everything changes when she meets a child. With him she embarks on an adventure, which will make her begin to accept that her father is no longer there.
Art Department Coordinator:
Alba Requena
Art Direction:
Aina Abalo Franch
Assistant Camera:
Inés Molina
Assistant Director:
Sol Rocabert
Best Boy Electrician:
Clàudia Mateu
Chef:
Alexander Johnston-Sirvent
Child Wrangler:
Paula Velasco Duacastilla
Colorist:
Manuel G. Romero
Compositor:
Sarah Cameron
Costume Designer:
Carla Hoyos
Gemma Solsona
Data Wrangler:
Olivia de Cristóbal
Director:
Marta Martín
Director of Photography:
Sílvia Esser
Editor:
Sofía Muñoz
Editorial Coordinator:
Olivia de Cristóbal
Electrician:
Genís Segarra
Carla Ballada Manubens
Marc Guarch
Executive Producer:
Carlos J Mata
Focus Puller:
David Rocha S. Bento
Gaffer:
Gabriel G. Rivas
Graphic Designer:
Elyn Tamag
Production Assistant:
Paula Velasco Duacastilla
Joana Galiana
Production Coordinator:
Candela G. Di Sanzo
Production Director:
Carlos J Mata
Production Manager:
João Borges
Production Office Assistant:
Michelle Aurora Garcia Rivas
Production Runner:
Carla Ballada Manubens
Marc Guarch
Production Trainee:
Ludmila Leytes Roudil
Script:
Sol Rocabert
Marta Martín
Script Supervisor:
Sofía Muñoz
Second Assistant Director:
Lota Dura
Sound Designer:
Zoe Galán
Sound Mixer:
Zoe Galán
Sound Recordist:
Carlos Mielgo
Still Photographer:
Wanda Dujour
VFX Artist:
Félix Bueno
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.