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ANNIE FOREVER (????) [N/A]

Original Title:
ANNIE FOREVER

Ratings / Certifications:
 N/A

Runtime: 25

ANNIE FOREVER is a film about love, and how love doesn’t always take the form of a romantic relationship. That friendships often are the ones that carry us through life. The film portrays a journey of choosing oneself.

Overview from TheMovieDB

Annie is a middle-aged woman in the midst of her life. She works as a hairdresser in a small, suburban town, and lives in a detached relationship with her husband. She is weighed down by loneliness in a stagnant existence, but cracks of chaos and longing exist within her. One day, an old acquaintance appears in the suburban landscape and, for the first time in a long time, Annie can feel herself. She begins to re-find her limits and gets a small glimpse into a different life.

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Additional information:

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Performers

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Production

Costume Design:
Nina Marie Sloth Lund

Director:
Kathrine Skibsted

Director of Photography:
Asbjørn Kiel

Editor:
Elise Lucia Langager

Music:
Ingri Høyland

Producer:
Zara Kristensen

Production Design:
Kathrine Skibsted

Sound Designer:
Frey Corfix

Writer:
Asta Bech Zachariassen

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.