A work in constant progress (and occasional regress).
Release Date:
May 19, 2024
Original Title:
Hail to the Breadsticks!
Genres:
Comedy | Documentary
Production Companies:
Seeing Red 6 Nations
Sugarshack 2000
Wauwinet Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 89
Writer producer Donick Cary (The Simpsons, Parks and Recreation, Have a Good Trip, etc.) has been a huge fan of the Washington D.C. pro football team since before he could walk. Passed down from his dad, he was excited to pass the tradition onto his kids. Donick never questioned the team name and or Native American logo until one day, while watching a game, his 9-year-old son, Otis, asked him if it was racist. When Otis suggests they ask Native Americans how they feel, it sends the two on a cross-country journey full of unexpected surprises.
Assistant Editor:
Tyler Davis
Associate Producer:
Liv Banks
Camera Operator:
Sam Panarese
Josh Roush
Donick Cary
Matthew Rowbottom
Consulting Producer:
Joey Clift
Sam Panarese
Director:
Donick Cary
Director of Photography:
Josh Roush
Editor:
Josh Roush
Donick Cary
Gregory Stees
Nick Polowy
Executive Producer:
Kim Huffman-Cary
Stevie Salas
Bryan Porter
Jill Karp
Lead Animator:
Andrew Strachan
Lead Editor:
Jason Kirchner
Music:
PJ Vegas
Steve Tippecoming
Music Supervisor:
Kim Huffman-Cary
Post Production Coordinator:
Amadi Cary
Post Production Supervisor:
Walter Woodman
Producer:
Joshua Neuman
Production Coordinator:
Tyler Davis
Sound Designer:
Patrick Cederberg
Andrew Strachan
Storyboard Artist:
Natalie Lileks
Web Designer:
Amadi Cary
Nick Polowy
Writer:
Donick Cary
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.