A work in constant progress (and occasional regress).
Release Date:
August 19, 2014
Original Title:
Criminal
Genres:
Action | Crime
Ratings / Certifications:
US: R
Runtime: 28
After his wife is murdered, Innis decides to take the law into his own hands. But as he comes closer to catching the man that killed his wife, Innis discovers the dark side of justice and finds the will to never look back.
Cinematography:
Dan Jagels
Co-Producer:
Graham Robinson
Colorist:
Rustam Vakilov
Costume Design:
Stephanie Paris
Costumer:
Dennis Garr
Digital Effects Producer:
Jon Leif Julsrud
Digital Imaging Technician:
Cortney Holman
Director:
Denzel Whitaker
Editor:
Adam Fazel
Electrician:
Dave Lehleitner
Executive Producer:
Barnaby De La Cruz
Clay Dunn
Denzel Whitaker
First Assistant Camera:
Matt Berbano
First Assistant Director:
Kachain Thongmanee
Gaffer:
Alex Lizotte
Key Makeup Artist:
Mónica Taboada-Tapia
Music:
Kyle Mangels
Kevin Riepl
Producer:
Shaun Gerardo
Justin Letizia
Kasey Shirk
Van White
Property Master:
Justin Letizia
Props:
Dennis Garr
Screenplay:
Denzel Whitaker
Script Supervisor:
Robert Moon
Second Assistant Camera:
C. Neo Arboleda
David Mori
Second Assistant Director:
Blake Armstrong
Set Decoration:
Justin Letizia
Set Dresser:
Justin Letizia
Sound Editor:
Elias Issa
Kevin Riepl
Sound Mixer:
Marco Mejia
Still Photographer:
Charlie Rude
Story:
Barnaby De La Cruz
Denzel Whitaker
Storyboard Artist:
Daniel Hartney
Stunt Coordinator:
Zedric Harris
Sam Situmorang
Stunt Double:
Khalid Ghajji
Stunts:
Sergei Dmitriev
Rob A. Durbin
Edwin Garcia II
Phillipos Haile
Anthony Martins
Robair Sims
Ryan Sturz
Eric Sweeney
Thanks:
Clay Dunn
Zedric Harris
Yolanda Whitaker
Unit Production Manager:
Blake Armstrong
Visual Effects Supervisor:
William J. Cox
Wardrobe Coordinator:
Stephanie Paris
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.