A work in constant progress (and occasional regress).
Release Date:
May 1, 2025
Original Title:
Bonnie & Clyde: The Musical
Alternate Titles:
Bonnie & Clyde The Musical: Filmed Live
Bonnie and Clyde: The Musical
Genres:
Crime | Drama | History | Music | Romance | Western
Production Companies:
David Treatman Creative
Steam Motion & Sound
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
GB: 12A
Runtime: 138
Filmed at the Theatre Royal Drury Lane during its two scheduled performances on January 17-18, 2022, tells the story of Bonnie and Clyde. At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country.
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Assistant Director:
Alexzandra Sarmiento
Camera Operator:
Jon Dibley
Alex Dodd
Malcolm Edmonds
Andy Watts
Colorist:
Geoff Hockney
Brett Sullivan
Costume Designer:
Philip Witcomb
Costume Supervisor:
Jemima Penny
Director:
Ben Crabb
Nick Winston
Editor:
Ben Crabb
Marko Keser
Alex Shaw
Anna Turcanu
Executive Producer:
Max Johnson
Lighting Design:
Zoe Spurr
Lighting Director:
Clayton Jacobsen
Lighting Programmer:
David Stone
Line Producer:
Natalie Daniels-Browne
Lyricist:
Don Black
Makeup & Hair Assistant:
Zoe Gale
Jessica Plews
Music Producer:
Lee McCutcheon
Orchestrator:
John McDaniel
Producer:
David Treatman
Brett Sullivan
Production Manager:
Phil McCandlish
Rigging Gaffer:
Kevin White
Rigging Supervisor:
Ian Lafferty
Set Designer:
Philip Witcomb
Sound Designer:
Tom Marshall
Visual Effects Editor:
Nastassia Digiulio
Alvaro Marcilio
Melanie Wolzemuller
Wardrobe Assistant:
Chaja Nadia Verkerk
Wardrobe Designer:
Elizabeth Greengrass
Writer:
Frank Wildhorn
Ivan Menchell
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.