A work in constant progress (and occasional regress).
Release Date:
May 2, 2024
Original Title:
Tatlumpu Kami Rito
Production Companies:
Salimbayan Films
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 15
Ramon (18) woke up in a dark and cramped room. Beside him was an old man named Fredo (63) who was desperately carving at the wall to make a hole. The place they were in was dimly lit, and the only sounds they could hear were their breathing and the scraping noise of the nail against the wall. As they spent long hours making the hole, they also got to know each other and reminisced about their experiences that led them to their current situation. The hole exposed how thirty people managed to fit into a small jail cell behind a bookshelf, unveiling the mystery of the confinement and injustice system.
Art Direction:
Anriane Sablan
Assistant Director:
Jameil Adal
Danielle Bautista
Assistant Editor:
Kiara Ricamara
Casting Coordinator:
Mark Razel Dinsay
Charis San Juan
Julianne Valdez
Colorist:
Axl Edison
Continuity:
Camille Ardonza
Kenneth Cabalan
Creative Consultant:
Nico Hernandez
Director:
Kiara Ricamara
Director of Photography:
Kai Noval
Chariz Dudas
Editor:
Axl Edison
Executive Producer:
Miguel Castro
Graphic Designer:
Ralf Eleosida
Miguel Castro
Jameil Adal
Grip:
Jomarie Caagbay
Makeup & Hair:
Danielle Bautista
Makeup & Hair Assistant:
Dheyleen Carlsy Cruz
Anriane Sablan
Camille Ardonza
Charis San Juan
Music:
Kiah Resurreccion
Producer:
Chariz Dudas
Production Assistant:
Lee Del Rosario
Mary Joy Cutamora
Julianne Valdez
Antawn Manganti
Production Coordinator:
Ruth Trinidad
Ralph Alfonso
Production Designer:
Ralf Eleosida
Production Manager:
Jameil Adal
Property Master:
Jomarie Caagbay
Set Dresser:
Mikaela Ganaden
Lennon Asis
Kiah Resurreccion
Chris Ian Reyes
Sound Designer:
Kiara Ricamara
Sound Engineer:
Ruth Trinidad
Still Photographer:
Lee Del Rosario
Wardrobe Designer:
Dheyleen Carlsy Cruz
Wardrobe Master:
Dheyleen Carlsy Cruz
Writer:
Kiara Ricamara
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.