A work in constant progress (and occasional regress).
Release Date:
July 26, 1989
Original Title:
Last Exit to Brooklyn
Alternate Titles:
A Última Saída para Brooklyn
Brooklyn'e son çikis
Dernière sortie pour Brooklin
Last Exit to Brooklyn
Noites Violentas no Brooklin
Ostatnie wyjscie do Brooklynu
Pääteasema Brooklyn
Sidste udkørsel til Brooklyn
Slutstation Brooklyn
Teleftaia exodos sto Brooklyn
Ultima fermata Brooklyn
Utolsó kijárat Brooklyn felé
Última salida Brooklyn
畸情城市
브룩클린으로 가는 마지막 비상구
Genres:
Drama
Production Companies:
Allied Filmmakers
Bavaria Film
Constantin Film
Production Countries:
Germany | United Kingdom | United States of America
Ratings / Certifications:
US: R
Runtime: 103
A gallery of characters in Brooklyn in the 1950s are crushed by their surroundings and selves: a union strike leader discovers he is gay; a prostitute falls in love with one of her clients; a family cannot cope with the fact that their daughter is illegitimately pregnant.
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ADR Supervisor:
George Gonneau
Art Direction:
Mark Haack
Werner Achmann
Assistant Art Director:
Patricia Woodbridge
Assistant Costume Designer:
Richard von Ernst
Assistant Dialogue Editor:
Veronica Manchot
Assistant Editor:
Lilli von Otting
Anne Stein
Assistant Sound Editor:
Angelika Deumling
Angelike Gruber
Associate Producer:
Anna Gross
Jake Eberts
Boom Operator:
Anthony Starbuck
Günther Ruckdeschel
Camera Operator:
Philippe Carr-Forster
Casting:
Deborah Aquila
Jeffery Passero
Co-Producer:
Herman Weigel
Continuity:
Nike Zachmanoglou
Costume Design:
Carol Oditz
Costumer:
Sally Lesser
David C. Robinson
Dialogue Coach:
Howard Samuelsohn
Dialogue Editor:
Eva Claudius
Director:
Uli Edel
Director of Photography:
Stefan Czapsky
Editor:
Peter Przygodda
Extras Casting:
Sylvia Fay
First Assistant Camera:
Zoran Veselic
First Assistant Director:
Don French
Carla Corwin
Foley Artist:
Mel Kutbay
Jörn Poetzl
Bernd Schmidl
Andreas Schneider
Hair Designer:
James Sarzotti
Lead Set Dresser:
Bruce Lee Gross
Line Producer:
Dieter Meyer
G. Mac Brown
Makeup Artist:
Georgette Künsemüller
Makeup Designer:
Kathryn Bihr
Musician:
Guy Fletcher
Novel:
Hubert Selby Jr.
Original Music Composer:
Mark Knopfler
Producer:
Bernd Eichinger
Production Design:
David Chapman
Production Sound Mixer:
Danny Michael
Ed Parente
Screenplay:
Desmond Nakano
Second Assistant Camera:
Claudia Raschke
Britta Sell
Second Assistant Director:
Carla Corwin
Glen Trotiner
Stefan Scholtissek
Set Decoration:
Leslie A. Pope
Set Dresser:
Leigh Kyle
David W. Howell
Dan Mahon
Will Scheck
Sound Editor:
Peter R. Adam
Sound Re-Recording Mixer:
Milan Bor
Special Effects Coordinator:
Steven Kirshoff
Special Effects Makeup Artist:
Michael Maddi
Special Effects Technician:
William Harrison
Denis Zack
Still Photographer:
K.C. Bailey
Karl-Heinz Vogelmann
Stunt Coordinator:
Jery Hewitt
Stunts:
Danny Aiello III
Bill Anagnos
Paul Bucossi
Roy Farfel
Tim Gallin
Donald John Hewitt
Phil Neilson
Mick O'Rourke
Janet Paparazzo
Don Picard
Manny Siverio
Tom Wright
Unit Production Manager:
G. Mac Brown
Wardrobe Supervisor:
Jennifer Lax
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.