A work in constant progress (and occasional regress).
Release Date:
May 28, 1998
Original Title:
Cohen vs. Rosi
Genres:
Comedy
Production Companies:
Buena Vista International
Flehner
INCAA
Patagonik
Pol-Ka Producciones
Raúl J. Naya Producciones S.A.
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 90
Two rival families of different origin join the force by the love of two young. The journalist Ariel Cohen falls in love for Carla Rosi, while investigating his father, Giancarlo, a wealthy shady business that is congressional candidate with presidential aspirations.
Additional Camera:
Rolo Pulpeiro
Víctor González
Art Direction:
Horacio Pigozzi
Assistant Camera:
Pablo Desanzo
Assistant Director:
Fabián Bielinsky
Assistant Director Trainee:
Martín Folatelli
Catriel Vildosola
Assistant Editor:
Guillermo Grillo
Daniel Zóttola
Assistant Electrician:
Guido Manuilo
Assistant Grip:
José Cortéz
Sergio Aguirre
Assistant Property Master:
Matías Games
Assistant Set Decoration:
Adriana Slemenson
Fabián Harsanyi
Boom Operator:
Gustavo Grimoldi
Constanza Fernández
Camera Operator:
Esteban Sapir
Camera Trainee:
Jonás Costa
Cinematography:
Esteban Sapir
Color Grading:
Beto Acevedo
Costume Assistant:
Luciana Guazzone
Lorena Díaz
Costume Design:
Ruth Fisherman
Director:
Daniel Barone
Director of Photography:
Esteban Sapir
Dolby Consultant:
Carlos Klachquin
Editor:
Alejandro Parysow
Alejandro Alem
Electrician:
Beto Romero
Luciano Marcicovetere
Fabián Forte
Martín Esteban Nico
Fernando González
Adrián Leonardo Piñeiro
Romina Varnerin
Martín De Salvo
Jorge Martínez
Esteban Clausse
Daniel Ianatempo
Edgardo Ibarra
Executive Producer:
Luján Pflaum
First Assistant Director:
Horacio Guerrico
Focus Puller:
Rolo Pulpeiro
Fernando Riva
Pablo Desanzo
Gaffer:
Guillermo Zappino
Generator Operator:
Matías Mora
Genetator Operator:
Julián García
Hair Assistant:
Mirta Feola
Hairstylist:
Néstor Pumar
Idea:
Adrián Suar
Location Manager:
Hernán Gatica
Makeup & Hair:
Sergio Spaccarotella
Jorge Bruno
Music:
César Lerner
Negative Cutter:
Héctor Belvedere
Daniel Garín
Armando Rodríguez
Producer:
Edi Flehner
Fernando Blanco
Producer's Assistant:
David Muchnik
Patricia Milanesi
Juan Lovece
Diego Andrasnik
Production Coordinator:
Loreta Virasoro
Production Director:
Juan Pablo Galli
Production Manager:
Juan Vera
Production Trainee:
Ezequiel Londinsky
Property Buyer:
Monica Delfino
Props:
Gonzalo Espina
Script:
Aldo Romero
Second Assistant Director:
Julia Iriarte
Second Unit Director:
Horacio Guerrico
Second Unit Director of Photography:
Guillermo Zappino
Second Unit First Assistant Director:
Federico D'Auria
Set Decoration:
Mariana Sourrouille
Set Decoration Buyer:
Ricardo Farfan
Adriana Maestri
Songs:
Favio Posca
Sound Assistant:
Ricardo Pitterbarg
Sound Director:
Carlos Abbate
José Luis Díaz
Sound Recordist:
Fabián Ayala
Luciano Spekos
Perfecto de San José
Aníbal Girbal
Still Photographer:
Livio Pensavalle
Third Assistant Camera:
Pablo Desanzo
Federico Staffa
Jonás Costa
Santiago Vila
Juan Von Bernard
Flavio Dragoset
Video Assist Operator:
Demián Rodenstein
Jonás Costa
Visual Effects Coordinator:
Marcelo Firmano
Federico Cueva
Writer:
Jacobo Langsner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.