A work in constant progress (and occasional regress).
Release Date:
December 26, 1979
Original Title:
Olsen-banden overgiver sig aldrig
Alternate Titles:
Die Olsen-Bande: Dänemark wird ruiniert
Die Olsenbande - Die Olsenbande ergibt sich nie
Olsen Banden 11
Olsen Banden overgiver sig aldrig
Банда Ольсена никогда не сдается
Операция начнётся после полудня
Genres:
Comedy | Crime | Family
Production Companies:
Nordisk Film Denmark
Production Countries:
Denmark
Ratings / Certifications:
DE: 12 DK: A
Runtime: 108
Egon plans to exploit knowledge gained during his latest term of incarceration. By stealing the unmanipulated financial records of DanInvest he obtains the majority of the stocks in the department store Magasin du Nord, just in time for their closing sale. The attempt to get the red suitcase that will save the day they rob the main vault at the EEC headquarters in Brussels and end up hijacking a tank.
Assistant Camera:
Søren Berthelin
Assistant Director:
Tom Hedegaard
Henning Sprogøe
Assistant Production Manager:
Stine Monty Freddie
Henning Sprogøe
Assistant Property Master:
Leif Axel Kjeldsen
Gary Møller
Costume Design:
Lotte Dandanell
Ulla Houmann
Director:
Erik Balling
Director of Photography:
Claus Loof
Editor:
Finn Henriksen
Lighting Technician:
Jørgen Kunz
Gunner Nielsen
Michael Sørensen
Søren Sørensen
Location Scout:
Bo Christensen
Makeup Artist:
Elisabeth Bukkehave
Bente Møller
Original Music Composer:
Bent Fabricius-Bjerre
Producer:
Bo Christensen
Production Assistant:
Stine Monty Freddie
Henning Sprogøe
Production Design:
Henning Bahs
Production Manager:
Lene Christiansen
Christian Clausen
Bo Christensen
Property Master:
Magnus Magnusson
Script Supervisor:
Birthe Frost
Sound:
Michael Dela
Leif Jensen
Hans W. Sørensen
John Nielsen
Special Effects:
Henning Bahs
Still Photographer:
Rolf Konow
Writer:
Henning Bahs
Erik Balling
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.