A work in constant progress (and occasional regress).
Release Date:
September 7, 1990
Original Title:
Memphis Belle
Alternate Titles:
Ślicznotka z Memphis
メンフィス・ベル
メンフィス・ベル:1990
孟菲斯美女号
Genres:
Action | Drama | War
Production Companies:
British Satellite Broadcasting
Enigma Productions
Fujisankei Communications Group
NatWest Ventures
The Bountiful Company
Warner Bros. Pictures
Production Countries:
Japan | United Kingdom | United States of America
Ratings / Certifications:
AU: PG BR: 12 DE: 12 FR: U GB: 12 IE: 12 NL: 12 US: PG-13
Runtime: 107
The "Memphis Belle" is a World War II bomber, piloted by a young crew on dangerous bombing raids into Europe. The crew only have to make one more bombing raid before they have finished their duty and can go home. In the briefing before their last flight, the crew discover that the target for the day is Dresden, a heavily-defended city that invariably causes many Allied casualties
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Aerial Camera:
Mike Rutter
Art Direction:
John King
Alan Tomkins
Boom Operator:
Paul Cridlin
Casting:
Juliet Taylor
Marion Dougherty
Choreographer:
David Toguri
Construction Foreman:
Bill Welch
Costume Design:
Jane Robinson
Dialogue Editor:
Martin Evans
Director:
Michael Caton-Jones
Director of Photography:
David Watkin
Draughtsman:
Jim Morahan
Editor:
Jim Clark
Location Manager:
Barbara Back
Allan James
Makeup Artist:
Joan Hills
Original Music Composer:
George Fenton
Producer:
Catherine Wyler
David Puttnam
Production Design:
Stuart Craig
Property Master:
Peter Hancock
Scenic Artist:
Cloe Chloerty
Doug Bishop
Brian Bishop
Screenplay:
Monte Merrick
Script Supervisor:
Angela Wharton
Set Decoration:
Ian Giladjian
Sound Effects Editor:
Michael Crouch
Sound Recordist:
Mark Holding
Special Effects:
Bob Hollow
Still Photographer:
David Appleby
Supervising Art Director:
Norman Dorme
Supervising Sound Editor:
Ian Fuller
Visual Effects:
Nicholas Brooks
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.