A work in constant progress (and occasional regress).
Release Date:
February 15, 2007
Original Title:
Bridge to Terabithia
Alternate Titles:
Bridge to Terabithia
Broen til Terabithia
Bron till Terabitia
Bruecke nach Terabithia
Brug naar Terabithia
Brücke nach Terabithia
Chiếc Cầu Tới Terabithia
Die Brücke nach Terabithia
El mundo mágico de Terabithia
Híd Terabithia földjére
I gefyra gia tin Terabithia
Le Pont de Térabithia
Le Secret de Terabithia
Most Do Krainy Terabithia
Most do Terabithii
Most do zeme Terabithia
O Segredo de Terabítia
Ponte para Terabítia
Sild Terabithiasse
Silta salaiseen maahan
Terabithia - et hemmeligt land
Terabithia köprüsü
Un Ponte per Terabithia
Un puente a Terabithia
Un puente hacia Terabithia
Мост в Терабитию
Мост до Терабития
जादुई नगरी टेराबिथिया
テラビシアにかける橋
Genres:
Adventure | Drama | Family
Production Companies:
Hal Lieberman Company
Lauren Levine Productions Inc.
Walden Media
Walt Disney Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: AA AU: PG BR: L CZ: U DK: A ES: 7 FR: TP GB: PG HK: I HU: 6 IE: PG IT: T JP: R18+ KR: All NL: 9 NO: 6 PT: M/6 US: PG
Runtime: 96
Jesse Aarons trained all summer to become the fastest runner in school. So he's very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences including that she's rich, he's poor, she's a city girl, and he's a country boy the two become fast friends. Together they create Terabithia, a land of monsters, trolls, ogres, and giants where they rule as king and queen.
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ADR Mixer:
Chris Navarro
Art Direction:
Roger Guise
Jennifer Ward
Assistant Director:
Siobhan Nolan O'Driscoll
Associate Producer:
David Kaufmann
Camera Operator:
Cameron McLean
Casting:
Stephanie Corsalini
Liz Mullane
Casting Assistant:
Charley Medigovich
Co-Producer:
Meyer Shwarzstein
Kevin Halloran
Tim Coddington
Costume Design:
Barbara Darragh
Costume Supervisor:
Dianne Foothead
Digital Effects Supervisor:
Dan Lemmon
Director:
Gábor Csupó
Director of Photography:
Michael Chapman
Editor:
John Gilbert
Executive Producer:
Alex Schwartz
First Assistant Director:
Todd Amateau
Foley Recordist:
Hayden Collow
Robyn McFarlane
Gaffer:
Jono Kouzouyan
Grip:
David Sargison
Hair Designer:
Jane O'Kane
Key Hair Stylist:
Vinnie Ashton
Key Makeup Artist:
Vinnie Ashton
Makeup & Hair:
Michael Krehl
Anita Aggrey
Makeup Designer:
Jane O'Kane
Novel:
Katherine Paterson
Original Music Composer:
Aaron Zigman
Producer:
Lauren Levine
Hal Lieberman
David Paterson
Production Design:
Robert Gillies
Production Sound Mixer:
Tony Johnson
Screenplay:
Jeff Stockwell
Second Assistant Director:
Anton Steel
Second Second Assistant Director:
Emma Hinton
Set Costumer:
Samantha Morley
Set Decoration:
Jackie Gilmore
Set Designer:
Sam Storey
Set Dresser:
Penny Kerr
Songs:
Miley Cyrus
Sound Designer:
Brent Burge
Sound Editor:
Matthew Lambourn
Sound Effects Editor:
Melanie Graham
Frederick Howard
Sound Re-Recording Mixer:
Michael Hedges
Gilbert Lake
Special Effects Supervisor:
Jason Durey
Ken Durey
Special Effects Technician:
Oliver Gee
Aaron McLachlan
Richard Schuler
Timothy Watson
Mark White
Steve Yardley
Stunt Coordinator:
Allan Poppleton
Stunts:
Fintan Costelloe
Jonathan Costelloe
Tyrone Costelloe
Dominic Melchers
Joris Melchers
Jessica Ria
Darcy Costelloe
Supervising Sound Editor:
Tim Prebble
Chris Ward
Utility Stunts:
Shane Dawson
Augie Davis
VFX Artist:
Fernando Borges-Pacheco
Visual Effects Coordinator:
Teresa Berus
Visual Effects Supervisor:
Matt Aitken
Bill Kent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.