A work in constant progress (and occasional regress).
Release Date:
September 3, 1992
Original Title:
Live Wire
Alternate Titles:
致命英雄
Genres:
Action | Drama | Thriller
Production Companies:
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
CZ: 15+ DE: 16
Runtime: 85
Danny O'Neill is a bomb disposal expert assigned to a case where terrorists have developed an "invisible" liquid explosive which is activated within the human body.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Jeff Vaughn
Art Direction:
Colin D. Irwin
Associate Producer:
Eric McLeod
Casting:
Ferne Cassel
Casting Assistant:
Michelle Brienze
Costume Design:
Mary Jane Fort
Dialogue Editor:
Cathie Speakman
Director:
Christian Duguay
Director of Photography:
Jeffrey Jur
Editor:
Christopher Greenbury
Executive Producer:
Cindy Hornickel
Marjorie Lewis
Bart Baker
First Assistant Director:
Michael A. Williams
Foley Artist:
Gregg Barbanell
Vince Nicastro
Grip:
Michael A. Mendez
Key Grip:
Kevin Wadowski
Location Manager:
Martha Pilcher
Negative Cutter:
Gary Burritt
Original Music Composer:
Craig Safan
Post Production Supervisor:
Ric Keeley
Producer:
Suzanne Todd
David Willis
Production Controller:
Paul Prokop
Production Coordinator:
Beth DePatie
Production Design:
Marek Dobrowolski
Screenplay:
Bart Baker
Script Supervisor:
Elizabeth S. Barton
Set Decoration:
Anna Rita Raineri
Set Designer:
Marco Rubeo
Set Medic:
Bundy Chanock
Sound Mixer:
Steve Nelson
Stunts:
Sonja Davis
Dick Warlock
Steven Lambert
Sandra Lee Gimpel
Tom Morga
Walter Scott
John-Clay Scott
Steve Picerni
Ousaun Elam
Tabby Hanson
Pat Romano
Christopher Doyle
Neil Summers
Unit Production Manager:
Eric McLeod
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.