Home

Stranger Than Fiction (2006) [PG-13]

Release Date:
September 9, 2006

Original Title:
Stranger Than Fiction

Alternate Titles:
L'Incroyable Destin de Harold Crick
Mais Estranho que a Ficção
Marc Forster s Stranger than Fiction
Más Extraño Que La Ficción
Más Extraño que la Ficción
Más extraño que la ficción
Nə Olar Məni Öldürmə
Plus étrange que fiction
Qurğudan Daha Qəribə
Sukurtas Haroldas
Vero come la finzione
Väljamõeldisestki veidram
Πιο παράξενο κι από παράξενο!
Не може да бъде!
Персонаж
口白人生
스트레인저 댄 픽션

Genres:
Comedy | Drama | Fantasy | Romance

Production Companies:
Columbia Pictures
Mandate International
Mandate Pictures
Three Strange Angels

Production Countries:
United States of America

Ratings / Certifications:
AU: M  DE: 6  DK: 7  GB: 12A  HU: 12  IE: 12A  KR: 12  NL: 6  NO: 12  US: PG-13 

Runtime: 113

Harold Crick isn't ready to go. Period.

Overview from TheMovieDB

Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Jim McConkey

ADR Mixer:
Robert Deschaine
Greg Steele
Michael Miller
David Weisberg

Additional Hairstylist:
Agnes M. Gibicar

Art Department Coordinator:
Kristin Hanson

Art Direction:
Craig Jackson

Assistant Costume Designer:
Lisa R. Frucht

Assistant Director:
James Giovannetti Jr.

Casting:
Kathy Driscoll-Mohler
Francine Maisler

Co-Producer:
Jim Miller
Aubrey Henderson

Construction Coordinator:
Tyler Osman

Costume Coordinator:
Claire Connelly

Costume Design:
Frank L. Fleming

Costume Supervisor:
Eileen McCahill

Director:
Marc Forster

Director of Photography:
Roberto Schaefer

Editor:
Matt Chesse

Executive In Charge Of Production:
Kelli Konop

Executive Producer:
Joseph Drake
Nathan Kahane
Eric Kopeloff

First Assistant "A" Camera:
Paul Bode

First Assistant Director:
Michael Lerman

First Assistant Editor:
Alex Olivares

First Assistant Sound Editor:
John Cannon

Foley Artist:
Alyson Dee Moore
John Roesch

Foley Mixer:
Mary Jo Lang

Grip:
Kelly R. Borisy

Hair Department Head:
Frances Mathias

Key Hair Stylist:
Deborah K. Dee

Key Makeup Artist:
Laverne Caracuzzi

Location Manager:
Stephen Andrzejewski

Makeup Artist:
Valli O'Reilly

Makeup Department Head:
Lisa Layman

Music Supervisor:
Brian Reitzell

Original Music Composer:
Britt Daniel
Brian Reitzell

Other:
Alyson Latz

Post Production Supervisor:
C. Cory M. McCrum-Abdo

Producer:
Lindsay Doran

Production Assistant:
Rudra Banerji

Production Coordinator:
Kate Amer

Production Design:
Kevin Thompson

Property Master:
Peter Bankins

Rotoscoping Artist:
Craig Kuehne

Screenplay:
Zach Helm

Script Supervisor:
Alicia Accardo

Second Assistant "A" Camera:
Dan Schroer

Second Assistant Director:
Peter Thorell

Set Decoration:
Ford Wheeler

Set Designer:
Kerry Sanders

Sound Designer:
Geoffrey G. Rubay

Sound Editor:
Jon Title
Dino DiMuro
Lisle Engle

Sound Mixer:
David Obermeyer

Sound Re-Recording Mixer:
Scott Millan
Michael Semanick
Lora Hirschberg

Special Effects Coordinator:
Don Parsons

Steadicam Operator:
Jim McConkey

Still Photographer:
Ralph Nelson Jr.

Stunt Coordinator:
Rick LeFevour

Stunts:
Alicia Skirball
Linda Perlin
Carl Paoli
Daniel Maldonado
Tom Lowell
Kevin Sorensen
Frank P. Calzavara
Tobiasz Daszkiewicz
James Fierro
James Mammoser
Tom McComas
Jodi Starnes
Natalie M. Meyer

Supervising Sound Editor:
Geoffrey G. Rubay

Thanks:
Jacques Perrin

Unit Production Manager:
Eric Kopeloff
Karyn McCarthy

Unit Publicist:
Will Casey

Visual Effects Designer:
Kevin Tod Haug

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.