A work in constant progress (and occasional regress).
Release Date:
March 19, 2024
Original Title:
The Hipster Report
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 53
This report tries to pinpoint what the slippery word hipster means by untangling each of the four eras of hipsterdom and how they changed over time. To do so requires looking back at the origins of hipsters in the 90s when Americans were granted digital access to culture just as the service economy encouraged us to commodify our lifestyles. We recount the rise and fall of the companies that defined this lifestyle –from Pitchfork to Vice Magazine to American Apparel– to understand the relationship between hipsters and their corporate representatives. With the onset of social media, hipsters found it necessary to represent themselves and were heavily influenced by the Hipster Runoff and Party Photographers. From here, we look at the public’s hatred of hipsters for real and imagined reasons. Finally, a description of the mid-2010s transition from The Hipster of yesterday into The Activist of today and what the Indie Sleaze revival says about both.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.