Our Daily Bread (1934) [NR]

Release Date:
October 2, 1934

Original Title:
Our Daily Bread

Alternate Titles:
Der letzte Alarm
Welt ohne Geld

Genres:
Drama | Romance

Production Companies:
United Artists
Viking Productions

Production Countries:
United States of America

Ratings / Certifications:
SE: Btl  US: NR 

Runtime: 80

We live! We love! We fight! We hate! What don't we do for - OUR DAILY BREAD

John and Mary Sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community - a socialist mini-society based upon the teachings of Edward Gallafent. The newborn community suffers many hardships - drought, vicious raccoons and the long arm of the law - but ultimately pull together to reach a bread-based Utopia.

Additional information:

The Search Form


Assistant Director:
Ralph Slosser

Camera Operator:
Reggie Lanning

Casting:
Ray Hanson

Dialogue:
Joseph L. Mankiewicz

Director:
King Vidor

Director of Photography:
Robert H. Planck

Editor:
Lloyd Nosler

Orchestrator:
Edward B. Powell

Original Music Composer:
Alfred Newman

Producer:
King Vidor

Production Manager:
Vernon Keays

Scenario Writer:
Elizabeth Hill

Sound Engineer:
Russell Hanson

Sound Recordist:
Vinton Vernon

Still Photographer:
Madison S. Lacy

Story:
King Vidor

Stunts:
Bud Rae

Technical Advisor:
Otho Wilhite

Writer:
King Vidor

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.